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                                    Page Four, PHOENIXj fwPacking the house at PackerCollegiate Institute this weekend will be Per Furmark, left, of 200 Hicks St. Mrs. Judith Stutt of 118 Joralemon St., and Jennifer Wallich of 286 Henry St., all stars of %u201c DON%u2019T SENDYOUR SON TO ETON,%u201d anoriginal musical review.Appearing in the comedyare students, teachers,parents, alumnae andtrustees of the BrooklynHeights school. Written anddirected by Jane Stantonand sponsored by thePacker Parent-TeacherAssociation, the review willbe presented on Friday andSaturday evenings, March 9and 10, at 8 o%u2019clock andSunday afternoon, March11, at 2 o%u2019clock in the PackerAuditorium. Tickets areavailable at the door.Hospital Needs ToysRecreational material for its hospitalized children is urgently needed, according to the Pediatrics Dept, of Long Island College Hospital. \discarded material such as juice and coffee cans, plastic containers and shoe boxes are welcome, as well as kitchen implements, pots and pans, costumes, jewelry andWilliam H, Van VleckW INES & FINE SPIRITSRecommended byLowest DiscountLiquor Pricesin riieState of New YorkDelivery:M A 5 -5 4 4 4buttons. Used toys, games, dolls, books, puzzles, wagons, and a rocking chair would also be appreciated by the young patients, hospital personnel advise.The toys and materials can be delivered to the Volunteer Office, Nurses residence, opposite the hospital on Henry and Congress Sts.346 Flatbush AvenueNE 8-4552owned and operatedby the Michel familya Park Slope landmark since 1910,off Grand Army PlazaLUNCHEONDINNERCOCKTAIL LOUNGEB A N Q U ET FA CILITIESfree parkingclosed MondaysBrooklyn Philharmonia:Foss Gives Another MarathonThis Time, It Will Be Baroq ueA four and one-half hour Baroque Marathon will be presented by the Brooklyn Philharmonia on Saturday,March 31, as the third subscription concert of the season, and a follow-up to the artistically smashing modern music marathon by the orchestra in November.The performance will begin at 6 P.M. in the Brooklyn Academy of Music,30 Lafayette Avenue, with the orchestra under the baton of Lukas Foss,Philharmonia musical advisor and conductor.Foss will conduct and perform the Bach D. Minor Concerto. Other highlights of the concert include the Vivaldi %u201c Gloria,\Concerto Grosso in F, Opus 6, No. 2; the Corelli C hristm as C oncerto;Schutz Madrigals performedby the Gregg Smith Singers,and arias by Handel, Lully,Pergolesi sung by Lois Boveand Neva Pilgrim, sopranos,Sofia Steffan, mezzo, andNico Castel, a tenor from theMetropolitan Opera.The Concord StringQuartet will play rareselections by Purcell andLucas FossPradas. Frances Cole,harpsichordist, will befeatured in works byScarlatti and Rameau.The New York ChoralSociety will join forces withthe Brooklyn PhilharmoniaChoral Society and theKantorei Singers to performthe Vivaldi %u201cGloria.\in the %u201cGloria\Bove, Miss Pilgrim and MissSteffan.An unusual feature of theMarathon will be that thefirst half will take place inthe Music Hall, and after \short intermission moveinto the larger Opera Houseof the Brooklyn Academy ofMusic at about 8 P.M. for thesecond half.Unlocks Africa%u2019sBY FRANCINE MARRUSDark shadows have been cast over the history of man. Clouds of hard-to-see-through mists have lead to the destruction of the human spirit. The underlying cause for this tragedy is man%u2019s failure to deal with the complex issue of communication. For some unknown reason, man has found it extremely difficult to let his brothers and sisters know his thoughts or understand theirs in return.Not so for the National Dance Company of Senegal. For an all too brief moment the audience at theMA 4-97745 TO 10 P.M.0 %u00a3 d < ^ \\ \\ e,X U 1Dt z / ^ s i t a u x a n tmmmmA 15 MONTAGUE STREET___Klitgord Center of New York City Community College was able to catch a glimpse of %u201c universal communication.\For centuries the continent of Africa was kept a mysterious secret. The great kingdoms, the magnificent warriors, the beautiful women, the awesome art of these native peoples were denied to those outside this unknown land. Which makes the night of March 3, 1973, even more remarkable. The 45-member company brought the life of their people to their audience. The director, Maurice Sonar Senghor, auditioned over 2,000 young dancers, singers and drummers from 200 villages before deciding upon the final members. The final choice had to be the right one, for I doubt if there could possibly be a finer presentation of the folklore, legends, history, dance, music and acrobatic skill of the people of Senegal.The drums used by the men were no longer inanimate objects but life forces of their own. It was difficult to tell if the men became part of the drums or if the drums became part of the men. One man was able toturn three drums into a thousand different heartbeats.The dancers did the impossible. The %u201c harvest man%u201d with his winding, twisting and rolling movements was awesome to watch. The man on stilts managed to turn the awkwardness of the media into moving rhythmatic grace. And the acrobatics %u2014 well all I can say about that is if you can imagine the most impossible thing a man could do with his body %u2014 that was what was done. They did things that man simply cannot do and they did it with an added part to their anatomy %u2014 their instruments.Throughout the entire performance there was a continuous joy %u2014 a joy in themselves and in their brothers and sisters and in the response of the audience. The drums, the song and the dance became one %u2014 a joining of sound, of souls and of bodies. The drums played to the swiveling hips of the women while the women, in turn, were reaching out to the pounding of the mens palms upon the drums.The life of the village was shownContinued on Page 19WWWWWWVPWWW9 9 W9 V iiViifVYWVM it..D>DN*T t o < r * M <4 T H ts y e A R 7v 1 S ;t W fc . 5 0U V L A K147 A \\ omT4&U%u00a3. Srr.S S Z ^ l i s C a p o i e L sin%u00ab9N fM M Jm j . U M - . t i i l . I M InontcKjuelundr^DinnerS d k + S u n B r u n c h I M 1+1151B r o o k i u i tOOOoe%u00bbooexexe%u00bbe%u00bbe>o>e>
                                
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