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16 June 2020


        Natalya Romaniw: ‘If there are tears to


        be shed, I get the emotion out in


        rehearsal’




        FEATURESJUN 16, 2020BY GEORGE HALL
        Her Madam Butterfly for ENO was interrupted in March, but the award-
        winning, Swansea-born soprano is poised to continue her ascension when

        venues reopen. She tells George Hall why she’s not wasting any time in

        lockdown



        Rising star British soprano Natalya Romaniw, unquestionably one of the most exciting

        voices to come to prominence in the UK in recent years, is – like most performing

        artists currently – at home.


        Her debut run of Madam Butterfly at English National Opera was cut short in March,

        and her next job – the title role in Dvorak’s Rusalka – has been cancelled altogether,

        along with the rest of the season at Garsington Opera. How is she coping at this difficult

        time?


        “I’m up and down. I’m alone, so I miss seeing people – even just physically. I have my

        little routine, as I’m sure most people do. Most of the time I keep busy doing exercises

        or yoga, and I’m still going ahead with learning everything I was supposed to learn, just

        to give myself a sense of purpose.”


        This won’t be wasted time, as Rusalka is a role Romaniw is likely to be asked to do

        again. She had also been learning another Puccini role for this year’s BBC Proms,

        though it now turns out that won’t happen either.
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