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5 November 2019































                                                      05 Nov 2019

                      Haydn's La fedeltà premiata impresses at the

                             Guildhall School of Music and Drama


               ‘Exit, pursued by an octopus.’ The London Underground insignia in the
               centre of the curtain-drop at the Guildhall School of Music’s Silk Street
               Theatre, advised patrons arriving for the performance of Joseph

               Haydn’s La fedeltà premiata (Fidelity Rewarded, 1780) that their Tube
               journey had terminated in ‘Arcadia’ - though this was not the pastoral
               idyll of Polixenes’ Bohemia but a parody of paradise more notable for its

               amatory anarchy than any utopian harmony.

               Haydn: La fedeltà premiata, Guildhall School of Music and Drama

               A review by Claire Seymour

               Above: Chorus, Matthew Palmer (Perruchetto) and Adam Maxey (Melibeo)

               Photo credit: Mihaela Bodlovic
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