Page 182 - ASMF Marriner 100 Coverage Book
P. 182

possibilities, for a hand-picked ensemble of top players and set about making that happen with

        determination, wit, panache and a modicum of refined ruthlessness. His global impact on

        orchestral standards was immense, even if his ultra-polished style began to sound dated as the

        period-instrument movement took hold.



        So it was fitting that, on what would have been his 100th birthday, the ASMF offered the sort of

        glinting, spick-and-span performances that would have delighted him, in a concert that crowned
        an entire Marriner Day on BBC Radio 3 and launched a week of celebratory events in London

        and elsewhere. Though the ASMF is now in the hands of a much younger generation — the

        violinists Joshua Bell and Tomo Keller and the conductor Jaime Martin directed here — you

        sensed Marriner’s ebullient spirit and perfectionist instincts still hovering in the air. More than

        that, in fact, in Mozart’s Symphony No 25, which was given a virtuosic performance that
        sounded very close to the one Marriner himself conducted on the soundtrack of the

        film Amadeus.



        A short but action-packed new work by Errollyn Wallen, Parade, demanded a different sort of

        virtuosity, not least from listeners attempting to untangle what came across as joyous but
        jumbled aural mayhem. No such worries in the final item: a kind of edited-highlights romp

        through Haydn’s Creation with the specially reassembled Academy Chorus relishing every

        hurtling fugue and three characterful soloists (Sarah Jane Brandon, Benjamin Hullet, Matthew

        Rose) adding to the festive atmosphere.


        For me, however, the evening’s high point was an impassioned performance of Vaughan

        Williams’s Tallis Fantasia, made more miraculous because the two orchestras — though

        spatially separated — kept together immaculately without a conductor. Marriner would have

        admired their musicianship and would also have loved the Englishness of it all: the ancient

        modal cadences echoing as twilight fell outside the church whose name he carried round the
        world.

        ★★★★☆

        Available on BBC Sounds. Further Marriner 100 concerts: asmf.org

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