Page 304 - ASMF Marriner 100 Coverage Book
P. 304

Orchestras across the country are trying new ways to engage with audiences.
                                                                               Photo by Taylor Brown

               "It's an amazing time for classical music," says Flavin, citing the success of the
               popular "Candlelight" concert series. In 2020, Flavin began performing as a musician
               in intimate events held in various venues illuminated by seas of candlelight and
               produced by a commercial company, Fever, that puts on shows around the United
               States. They typically feature a string quartet or a small jazz band performing the hit
               songs of popular musicians like Nirvana, Queen, Fleetwood Mac, Taylor Swift, and
               Ed Sheeran, as well as some concerts that feature classical composers such as Vivaldi
               or contemporary film score composers like Hans Zimmer. Venues range from
               Pinecrest Gardens to the Coral Gables Congregational Church.

               Smitter says younger audiences are looking for something else and has hopes the
               Arsht conversations can help bring people in.

               "The thing that's saving [the orchestra] right now is Harry Potter movie screens.
               People are going to the symphony to watch a movie with live music and are realizing
               the power of it," says Smitter.

               Flavin says it's the perception that needs to change.

               "I think it's important that we break the stereotype that this is old music, this is dead
               music, and it's boring. I love these conversations because I talk a bit about the music
               and the composer that wrote it, but then [I talk] also about the performers because
               they are the ones that make this music come alive," says Flavin, who adds that
               includes time for a question-and-answer session at the end of his talk to further the
               conversation.
   299   300   301   302   303   304   305   306   307   308   309