Page 198 - Media Coverage Book - 75th Aldeburgh Festival 2024
P. 198

In an interview 20 years ago, English conductor Sir Mark Elder recounted
               bumping into legendary maestro Sir Adrian Boult backstage after

               conducting a heavy-duty performance at the 1978 London Proms. Boult

               looked him up and down, remarking: “I see you’re one of the sweaty ones.”


               Speaking to Elder two decades on, as he prepares to close the book on his

               transformative 24-year tenure as music director of Manchester’s Hallé
               Orchestra, the image he projects is of a man so visibly content with his life

               and career he could easily outdo Prince Andrew in the “no sweat” league.


               On Saturday, however, Elder and his orchestra will throw every ounce of

               energy into their final performance together in an Usher Hall programme

               featuring Mahler’s Fifth Symphony, the work chosen by the 77-year-old to
               say goodbye to his colleagues. It has been central to a recent valedictory run

               of performances around the UK, including the Aldeburgh Festival and BBC

               Proms.


               Except it’s not actually goodbye. Elder is to continue as the Hallé’s

               conductor laureate, though the commitment will be considerably less,
               allowing him to explore new relationships, especially in Scandinavia –

               where he is currently principal guest conductor of the Bergen Philharmonic

               – and in the USA. “There are a few American orchestras I really enjoy and
               hope to go to more regularly,” he says. “I just need to be careful and look

               after myself, not race around too incessantly, and to value calm time.”


               He’s earned the breathing space. When Elder took up the reigns at the Hallé

               in 2000 – a successor to such immortalised antecedents as Sir John

               Barbirolli and Hans Richter – the orchestra was facing bankruptcy and, in
               the wake of his immediate predecessor Kent Nagano, in artistic free fall.

               “The situation was severe and didn’t really allow for optimism,” Elder

               recalls.


               John Summers had just been drafted in as troubleshooting chief executive

               with a reputation for getting things done. “I said I wouldn’t be able to
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