Page 277 - Media Coverage Book - 75th Aldeburgh Festival 2024
P. 277

working in a very different climate from the one he himself experienced more than a
        decade ago. He dismisses the idea that the character of the Proms has changed
        fundamentally. People find one or two concerts in the eight-week festival that they don’t
        like, he says, and therefore the whole thing must have “gone to hell in a handcart”.









































        Isata and Sheku Kanneh-Mason perform at one of festival’s socially distanced concerts. Photograph: Beki
        Smith/Sam Murray-Sutton


        He insists that the Proms remains a remarkable and thriving musical institution. “I’ve
        always been a glass half full rather than glass half empty person. You’ve got to say, look,
        there are 5,000 people pitching up to hear this concert, and it’s all on radio, and online,
        and much of it is on television. That’s an enormous number of people. And there are
        cheap tickets available for thousands. What is there not to celebrate about all of that?”

        Commissions were an important element in Wright’s work at the Proms, and he has
        ensured they have always been prominent at Aldeburgh too; this year, for instance,
        composers Unsuk Chin and Weir are featured musicians. “We all need to keep putting
        on lots of new music. There are more than 20 first performances in the festival this
        year,” he says. “That’s what’s so extraordinary again about the audience here – they
        have been trained over the years and they trust the brand of the festival. They trust the
        organisation. Yes, they will fall lovingly into the arms of Schubert’s Trout Quintet, but
        they will also let you give them Messiaen’s Catalogue d’Oiseaux played across 24 hours,
        or a day of Helmut Lachenmann.”

        It is clear that when he leaves Snape, Wright will be leaving a very healthy musical
        culture behind him. But beyond spending the summer in the US at the festivals at
        Tanglewood and Marlboro, he insists that he has no idea what he is going to do next. He
        is unlikely to be short of offers, and he is hardly thinking of retiring – “Well, nobody
        retires these days, do they? My wife said to me, ‘So you’re graduating’, which I actually
        think is rather nice, rather than retiring.”
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