Page 366 - Media Coverage Book - 75th Aldeburgh Festival 2024
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Among the highlights, the UK cathedrals of Norwich and Gloucester host atmospheric
        performances, while the US mountain ranges of Colorado and Idaho draw such top names

        as Yo-Yo Ma and Renée Fleming. Not to be outdone, the historic cities of Prague and
        Amsterdam each muster 50 pianos to stage Georg Friedrich Haas’s 11,000 Saiten. And not

        forgotten are this year’s birthday boys – Holst, Puccini and Bruckner – who, from Granada
        to Matsumoto, receive due celebration.



        Elsewhere we run through the festivals in Europe, the US and Canada, Australia and New
        Zealand, and and the rest of the world. But here, we're kicking off with the UK's best
        classical music festivals for 2024. Reach for your diary, and prepare to be tempted!



        Charlotte Smith Editor


        The UK's best classical music festivals in 2024



        Best UK classical music festivals: May 2024


        Tectonics


        Glasgow, 4, 5 May
        tectonicsfestival.com
        Anchored by the BBC Scottish Symphony Orchestra, Tectonics returns to the Old

        Fruitmarket and City Halls at the start of a second decade of genre-bending brio. Co-
        curated by conductor Ilan Volkov and Alasdair Campbell, it throws down a gauntlet on

        behalf of the new, with an international line-up that includes Japanese experimental rock
        band leader Koichi Makigami, New York vocalist Ka Baird and the world premiere of a

        piece for orchestra and tape by Charles Uzor. Plus, violinist Ilya Gringolts gives the UK
        premieres of works by Sciarrino and Mirela Ivičevič.


        Brighton Festival

        Brighton, 4-26 May

        brightonfestival.org
        Multi-arts Brighton has invited writer Frank Cottrell-Boyce to be this year’s guest director,

        and he’s promising ‘a cargo of wonders’ ranging from an installation involving 100 miles of
        string to mass table tennis participation.



        Among the musical ‘wonders’, the LSO under Antonio
        Pappano venture Barber, Ravel and Rachmaninov; at Glyndebourne, harpsichordist Mahan
        Esfahani and members of the Britten Sinfonia are immersed in Bach; and asking ‘What’s so

        great about opera?’, mezzo Hilary Summers caps ‘I’m a Puccini heroine addict’ with a one-
        woman bite-sized version of Mozart’s The Magic Flute
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