Page 612 - Media Coverage Book - 75th Aldeburgh Festival 2024
P. 612

That said, East Anglia has another treasure in the Thaxted Festival which
               happens not so far from Aldeburgh on the Essex borders, in a small town

               with a great church whose splendour rivals Blythburgh and happens to be
               where Gustav Holst was resident organist during the 1910s-20s.


               As this year is Holst’s 150th anniversary, the festival (which traces its origins
               back to his initiative) has been celebrating with a vengeance. And among
               the things I heard there was a packed-out organ recital (yes there are such

               things) on the historic instrument at which he used to sit.


               Dating back to the 1820s, it was played here by Peter Holder – sub-organist
               at Westminster Abbey and soon to be Director of Music at Christ Church,
               Oxford – in a programme that featured a new commission from Iain

               Farrington: a composer best known for arranging other people’s works, but
               with a virtuosity that demands attention in its own right.

               The commission was an organ suite based on Holst’s folk-song settings, re-
               imagined into something like the jazzily toe-tapping style of Farrington’s

               addictive Advent carol, Nova, nova, that’s become a staple on the Oxbridge
               choral circuit in the past few years. Only a hard heart could resist it. Mine
               surrendered unequivocally.


               I was more equivocal about the Magic Flute which also played in Thaxted

               Church during the festival – done by a touring company, Wild Arts, for
               which I have a high regard. It wasn’t so inventive as their previous shows
               have been, and didn’t look so good: Flute is a problem for a small-scale
               outfit, it’s too complicated to reduce down without turning into slightly

               desperate cartoon-like mayhem.


               But the music was a joy, with an engagingly warm, well-sung Papageno from
               Gareth Brynmor John and brilliant playing from a tiny but accomplished
               band under Orlando Jopling.


               Holst could only have been pleased to think that, in these times when access

               to live opera is so limited in Britain, it turns up at Thaxted. Courtesy of his
               surviving Festival. And making people very happy in the process.

               Photo: screenshot from www.brittenpearsarts.org.
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