Page 287 - Royal Liverpool Philharmonic Coverage Book 2023-24
P. 287

The opening was almost (but not quite) understated, Izik-Dzurko's measured responses to
            the opening horn call warm, gentle but also full of promise, an anticipatory excitement latent
            under the smooth upward chord progressions. This long and complex movement unfolded
            in such a way, pianist and conductor Domingo Hindoyan working together as an indivisible
            unit as they did throughout, that the structure became evident, not intrusively but as in the
            design of a great building, as satisfying as it was beautiful. Time seemed stretched almost
            to breaking point. The Allegro appassionato was visceral, power allied to sensitivity – and
            always a sense of sure control. There were moments of fire and moments of delicacy,
            particularly in the Trio. In the Andante it seemed as if he was holding something ineffably
            precious in his hands before, in the perfectly judged final chord, placing it carefully down.
            The last movement danced with an almost tangible lightness of foot, Brahms’ forceful,
            glaring tritones adding contrast in the interstices. Hindoyan and the RLPO were superb
            partners, balanced, nuanced and sensitive and there was an abundance of fine playing, in
            particular from horns and cellos.









































                   Jaeden Izik-Dzurko, Domingo Hindoyan and the RLPO at the Leeds International Piano Competition final
                                                     © Frances Marshall

            This was a fine performance of a great work. Brahms was above all a serious composer
            and this was serious playing. In a world of competition, hype and promotion, Jaeden Izik-
            Dzurko stands apart. He is a sincere artist and deserves our attention.

            After the interval, the magisterial Symphony no. 5 in E minor by Tchaikovsky suffered in
            comparison – not because of the performance, which was all one has come to expect from
            this orchestra under this conductor, silky-smooth strings, clarity and precision and over all a
            sense of the awareness of time and structure – but purely by being placed where it was
            after so many riches in the first half. Hindoyan and the RLPO gave it everything and there
   282   283   284   285   286   287   288   289   290   291   292