Page 434 - Royal Liverpool Philharmonic Coverage Book 2023-24
P. 434

Liverpool Philharmonic’s Music and Health programme began in

               partnership with Mersey Care NHS Foundation Trust in 2008. Initially,
               the programme was a pilot working across two Mental Health wards
               but has now grown to work with the Clatterbridge Cancer Centre

               Foundation Trust, Improving Me and the Walton Centre.

               The Philharmonic work in community settings and have a growing

               social prescribing programme, welcoming referrals from GPs, Link
               Workers and mental health charities.


               Music and Health also provide participants and NHS professionals
               access to free musical activities, concerts and rehearsal visits to hear

               the Royal Liverpool Philharmonic Orchestra at Liverpool Philharmonic
               Hall.


               The report, drawn from 2022/23 studies by the University of
               Liverpool’s Professor Josie Billington,   Dr Jaqueline Waldock , Dr

               Joanne Worsley, Dr Melissa Chapple (Primary Care and Mental
               Health) and Dr Antonina Anisimovich found that 91 per cent of

               participants experienced increased self-esteem.

               86 per cent of participants said that activities improved their mood

               and supported their everyday living. The Music and Health team
               forge links with groups across the region, enabling participants to
               continue making music in welcoming environments and progress

               their recovery journey.


               One participant said: “These sessions have inspired me to become
               more creative in other areas as well. I have written poems and

               started painting again. But I have also managed to speak to people,
               which I find extremely difficult.”


               Evaluation for the report into the Music and Health Programme has
               included thematic analysis of interviews, archive data, participant
               testimonials and musicians’ reflections, as well as evidence from

               surveys and quantitative data.
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