Page 38 - Liverpool Philharmonic 22-23 Season Coverage Book
P. 38

Quartet called CityBand, and helped open the Damascus Opera House by
               performing at its opening concert. He’s celebrated for bringing high-energy

               improvisation and riotous clarinet virtuosity to the orchestral scene. Before those
               qualities are showcased by the LPO with the UK premiere of his Clarinet Concerto

               and a late-night chamber concert in January, we can enjoy the dusky colours,
               relentless build and improvisatory freedom of his Suite for Improvisor & Orchestra.

               Kinan Azmeh – Suite for Improvisor & Orchestra: III. Wedding


               Kinan Azmeh clt / Deustches Symphonie-Orchester Berlin / Manuel Nawri cond


               English National Opera

               Over 50% of all ENO attendees are now first-time bookers, and the new season

               certainly presents something for everyone. Jake Heggie’s operatic retelling of the
               film classic It’s A Wonderful Life will have its UK premiere, while Jo Davies will direct

               the company’s first-ever production of Gilbert and Sullivan’s The Yeomen of the
               Guard. Then, in 2023, there’s a production of Korngold’s youthful gem The Dead City

               and a European premiere for Blue, exploring police violence against African
               American communities. The score is by Broadway composer Jeanine Tesori, who
               creates a fascinating hybrid; an ominously percussive Prologue gives way to jazzy

               syncopations in ‘Damn, Girl’, which soon blossoms into the heartfelt lyricism of ‘I
               Love Him’.

               Jeanine Tesori – Blue: Act 1 Scene 1, I Love Him



               Briana Hunter / Washington National Opera Orchestra / Roderick Cox cond

               London Chamber Orchestra


               Now entering its second century, the LCO is looking to the future with youth at the
               heart of its programme. Hot on the heels of Freya Waley-Cohen will be their new

               Composer-in-Residence, 29-year-old Dani Howard; she’s had a stellar few years,
               having debuted with the London Symphony Orchestra in 2019, and last year won a
               Royal Philharmonic Society Award for her Trombone Concerto for Peter Moore and

               the Royal Liverpool Philharmonic. Howard’s Fanfare will be the very first notes
               sounded in the LCO’s new season, while later her new saxophone concerto will be

               premiered by Jess Gillam. Other ones-to-watch include appearances from horn
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