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composers who have written a Passion since 2000; others, like Tan Dun and Philip
               Glass, have reimagined the Passion genre to include Buddha and Ramakrishna.

               “You imagine the Passion text as being of antiquity and in a sense not of modernity,”
               Mr. MacMillan said. “But Penderecki’s ‘St. Luke Passion’ in the late 1960s showed
               that even using some of the most forthright modern musical language, there was real
               scope to re-enter this traditional world, the greatest story ever told, as it were, and to
               tell it anew with a new language. And ever since there’s a number of very different
               kinds of composers retreading these steps.”

               Mr. MacMillan plans to return to the Passion story, to set the words of St. Matthew
               and St. Mark. But for the moment he’s working on something more joyful: a
               Christmas oratorio.

               MacMillan: Stabat Mater

               Nov. 7 at Alice Tully Hall, Manhattan; lincolncenter.org.






























































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