Page 311 - FINAL_The Sixteen Coverage Book 40th Anniversary Year
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17 October 2019

             Thursday, 17 October 2019
               Royal Welcome Songs for King Charles II, volume II
               Labels: cd review































               Henry Purcell Royal Welcome Songs for King Charles II, volume II; The Sixteen, Harry Christophers; CORO
               Reviewed by Robert Hugill on 2 October 2019 Star rating: 4.0 (★★★★)
               A further exploration of Purcell's Odes and Welcome Songs alongside his other music

               This is another in Harry Christophers and The Sixteen's valuable series on Coro placing Henry Purcell's
               Odes and Welcome Songs in the context of his other music. Having already issued discs of Royal Welcome
               Songs for King James II and Royal Welcome Songs for King Charles II, this disc is a further selection from
               the time of King Charles II. On this disc we have the Ode to St Cecilia, Welcome to All the Pleasures (from
               1683) and the Welcome Song, From Hardy Climes and Dangerous Toils of War (from 1683), along with the
               anthems Hear my prayer O Lord, Lord how long wilt thou be angry and In thee O Lord do I put my trust, the
               songs O Solitude and From silent shades, the devotional song Plung'd inthe confines of despair, the Pavan of
               Four Parts in G minor and a catch, performed by a vocal ensemble of eight, with all singers mixing solo
               lines with ensemble singing, and an instrumental ensemble of 12 strings, theorbo, harp and
               organ/harpsichord.


               Whilst King Charles II projected a confident, not to say swaggering image, the reality of his regime
               with its secret subsidies from King Louis XIV was less edifying. But during his lifetime these details
               were known to few and what Henry Purcell's music projects is the official image of the somewhat
               cultured and pleasure-loving court. Charles' tastes were formed by his period in exile, the experience
               of his cousin Louis XIV's court. But, restored to the throne in England, money was far tighter than at
               the French court, and Charles notoriously always preferred music that he could beat time to!







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