Page 40 - Final_CBSO's 100th Birthday Celebration
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The plan took a leap forward a fortnight ago when Sandwell council (the local authority for the
        area) approved the sale of land and buildings in which the new Shireland CBSO School will be

        housed. It has also agreed to restore the Victorian gothic West Bromwich Town Hall to provide

        a performance space for the school.



        What will be the difference between this school (which the CBSO will run along with the

        Shireland Collegiate Academy Trust) and a normal comprehensive? It’s not just that every

        pupil, no matter from how poor a home, will learn a musical instrument and benefit from

        masterclasses by such luminaries as Sheku Kanneh-Mason and Nicola Benedetti. Or that CBSO
        musicians will get involved in making the school’s orchestras, bands and choirs the best in the

        land. The project also sets out to prove a thesis: that, contrary to the narrow-minded government

        thinking that has imposed the anti-arts EBacc on English state schools, music can be a catalyst

        that improves overall academic achievement. “We absolutely believe that a school full of music

        will enhance learning in other areas,” says Stephen Maddock, the CBSO’s chief executive.
        “Evidence? Every private school in the country!”




        That’s the crucial point about the CBSO and OAE projects. All publicly funded arts
        organisations have education programmes, but too often they have been rendered tokenistic, if

        not downright pointless, by being bolted on to a state education system that has already fatally

        relegated the arts to the margins.



        These two orchestras could play a pioneering role by nurturing a different sort of state school:

        one that unlocks its students’ potential for creativity, and transforms aspirations and results

        across all subjects. That, in turn, could not only inspire other arts organisations to get involved

        in running schools, but persuade the UK’s educational establishment to reverse its irrational
        distrust of the arts.




        So good luck to both orchestras. Let’s just hope that when the Covid crisis finally recedes, they
        are still around to make their thrilling plans a permanent reality.




        Time to wake up
        The government tells us that Operation Sleeping Beauty will magically produce full theatres by

        Christmas. Yet in the same week it announces that social gatherings of more than six people are

        banned again. It claims that Covid tests are scarce because healthy people are using them to
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