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4. Henri Tomasi: Trumpet Concerto (1948)



                       “The concerto by Henri Tomasi is one of my favourites of the mid-20th
                       century. It’s very colourful, very quirky... it starts with a huge fanfare,
                       really very challenging technically. But musically it’s so gripping, and
                       immediately it backs off and does something a bit more subtle and
                       introverted.


                       “When I play this concerto... I really have to think differently about
                       vibrato. I think vibrato has to be something like seasoning, like salt and
                       pepper that you add or you take away, you mustn’t use it as a standard
                       tomato ketchup on everything. But Tomasi can really take a lot of vibrato
                       and expression, and variety in the sound.”
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