Page 61 - Alison Balsom Quiet City FULL BOOK
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but it also has a cor anglais solo. And I thought that the cor anglais
               solo would work on the trumpet, so I basically just edited it and put the

               cor anglais bit on the trumpet as well. It wasn’t really that much of a

               change; the orchestra stayed the same.


               After that is the Gershwin. It was the biggest technical challenge on

               the disc because I realised that the copyright on the original Gershwin

               was up in 2020, so whilst this sounded really fortunate, of course, the

               orchestral version was not out of copyright! We had to redo the
               orchestration entirely! I approached an amazing arranger friend of

               mine, Simon Wright, with whom I’ve worked a lot in the past. I thought

               I was asking to do one thing, which was to add a trumpet part: I
               wanted to keep the piano because it was an iconic, wonderfully

               written part, but I also wanted to insert trumpet work into that as well

               and make it a dialogue between piano and trumpet, with orchestra.
               But it turned out that the whole thing had to be rewritten. It was a huge

               time commitment for Simon, for which I am grateful. But it was also an

               opportunity to speak to Tom Poster, the pianist and my great

               collaborator who has played the piece brilliantly many times in the
               form we all know. It was really constructive to ask him, “Are there any

               moments in this piece where you think, actually, could they be a little

               different?” Although we haven’t veered too far away from what people

               know, there are some changes that we really enjoyed when we
               performed and recorded it. Whilst sitting in my living room, I called

               both Simon and Tom (both of whom I’ve worked with for decades),

               and remember very clearly saying that I had had this idea… At the
               beginning of the conversation with both of them, they thought I was

               absolutely bananas, and it was the silliest idea I’d ever had! I spent

               fifteen, twenty minutes telling them what I was thinking and why, and
               by the end of that, they said, “Oh, this actually might be fun — it might

               work!” So I managed to talk them around.
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