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It’s good to have more of Bacewicz’s music, https://www.colinscolumn.com/peter-jablonski-
elisabeth-braus-with-finnish-radio-symphony-orchestra-conducted-by-nicholas-collon-record-
music-by-grazyna-bacewicz-for-ondine/, and Bychkov’s latest Mahler
impressed, https://www.colinscolumn.com/semyon-bychkov-the-czech-philharmonic-record-
mahlers-resurrection-symphony-for-pentatone/, as did Ohlsson & Runnicles in a freshly
considered survey of Beethoven Piano Concertos, https://www.colinscolumn.com/garrick-
ohlsson-with-the-grand-teton-music-festival-orchestra-donald-runnicles-records-beethovens-
five-piano-concertos-for-reference-recordings/, so too Jurowski’s second slab of Stravinsky with
the LPO, https://www.colinscolumn.com/london-philharmonic-orchestra-releases-vladimir-
jurowski-conducting-stravinsky-volume-two-the-fairys-kiss-sleeping-beauty-arrangements/.
Finally, further S-composers, Schubert Symphonies, ‘Unfinished’ & ‘Great C-major’, notable from
Dresden and Janowski, https://www.colinscolumn.com/marek-janowski-the-dresden-
philharmonic-record-schuberts-unfinished-great-c-major-symphonies-for-pentatone/, and
Stanford’s Requiem proved to be quite a find, https://www.colinscolumn.com/column-post-6300-
released-today-may-5-martyn-brabbins-the-cbso-university-of-birmingham-voices-record-sir-
charles-villiers-stanfords-requiem-for-hyperion/, led veritably by Martyn Brabbins.
And I could include Benny and the boys having a blast with Bach…