Page 85 - FULL BOOK Isata Kanneh-Mason Childhood Tales
P. 85
27 May 2023
Pale Childhood Tales
Childhood Tales; Wolfgang Amadeus Mozart: Variations K. 265; Ernst von
Dohnanyi: Variations on a Children's Song op. 25 for piano and orchestra; Claude
Debussy: Children's Corner; Robert Schumann: Kinderszenen op. 15; Isata Kanneh-
Mason, Royal Liverpool Philharmonic Orchestra; 1 CD Decca 4854180 recording 2022,
release 26.5.2023 (67') - Review by Remy Franck
27-year-old Isata Kanneh-Mason turns to a program with references to childhood. She shows
herself to be a serious and intelligent pianist who is in control of the music. Unfortunately, she
forgets to let go of this music and breathe life into what has been carefully prepared with
spontaneity and the inspiration of the moment.
Compared to Bavouzet's Debussy, for example, it remains all too well-behaved, and anyone who
compares Andras Schiff's recordings of the Dohnanyi Variations or Mozart's Ah vous dirai-je
maman with Kanneh-Mason's playing will see it as somewhat sterile. And that's exactly how the
Briton goes down when you compare her childhood scenes by Schumann with those of other
pianists, be they Barenboim, Hewitt or Argerich.
Isata Kanneh-Mason entrenches herself everywhere behind a finely polished, balanced and by no
means soulful playing, which sounds too controlled, too pale and not personal enough to me in all
pieces.
The 27-year-old Isata Kanneh-Mason turns to a program with references to childhood.
In it she shows herself as a serious and intelligent pianist who is in control of the music.
Unfortunately, she forgets to let this music of the leash and breathe life, spontaneity and
the inspiration of the moment into what has been carefully prepared with t.
Compared to Bavouzet’s Debussy, for example, she remains all too well-behaved, and
anyone who compares Andras Schiff’s recording of the Dohnanyi Variations or Mozart’s
Ah vous dirai-je maman with Kanneh-Mason’s playing will find it somewhat sterile. And
that’s exactly how the Brit is losing credit when her Kinderszenen by Schumann are
compared with those of other pianists, be they Barenboim, Hewitt or Argerich.