Page 80 - Aldeburgh Festival 2022 FINAL COVERAGE BOOK
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Tom Coult: Violet in rehearsal with Anna Dennis, Richard Burkhard (Photo Patrick Young / Britten Pears Arts)


               It was listening to Jimi Hendrix (on his Dad's tape) when young that made Tom want to be a musician
               for a living. He was also influenced by Bob Dylan's approach to being an artist, appreciating the
               distance you could put between what you might think and feel as a person and what goes into the
               music. This was very much music as a mask. It was the music of JS Bach that first got Tom into
               classical music, and Bach remains his Desert Island composer. Stravinsky made him want to write
               music down in manuscript; this was the later Stravinsky, not the Rite of Spring, and here again, we
               have music as a mask. The Big Bang came when he heard Pierre Boulez' music for the first time;
               listening to the exquisitely voiced chords, Tom felt like he new knew that harmony could sound like
               that. This experience changed his own music a lot. Another composer he mentions is Elliott Carter.
               Whilst Tom does not always like the sound of Carter's music, he enjoys the way it moves intelligently
               rhythmically, and Tom's rhythms owe a lot to Carter.



                        Listening to Jimi Hendrix when young that made Tom want to be a musician


               Whilst he wanted to be a musician from being that teenager listening to Jimi Hendrix, he assumed it
               would be in a band. In fact, he played in a lot of bands but his idea of the type of musician evolved. In
               his later teens, he discovered films and film music, notably the work of Danny Elfman and the sound
               of his orchestra. But then Tom discovered that Elfman used an orchestrator, and this was something
               of a punch in the gut, a loss of innocence. And this knowledge veered him away from film music and
               led him to the less profitable but autonomous world of classical composition. For his first degree, he
               studied music at Manchester University, following this with a Masters in Composition. As an
               undergraduate, he arrived in Manchester knowing the music of Bach and Beethoven, blues, jazz and
               country, but rather hostile to 20th-century music. But he soon got the bug.
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