Page 112 - Winterreise Coverage Book, 2021 - 22
P. 112

16 February 2022

                interview,





               Benjamin Appl on Winterreise




               by Katherine Cooper
















               With its fixation on isolation and seemingly endless icy walks, it's perhaps no surprise that
               Schubert's great song-cycle is a work which has resonated with performers and listeners alike
               over the last couple of particularly bleak winters, with over a dozen new recordings of the piece
               appearing since the first lockdowns began in early 2020. Last Friday saw the German baritone
               Benjamin Appl join their number for his first project on Alpha Classics, recorded around the
               same time as the upcoming film Winter Journey  (shot on location in the Swiss Alps and due to be
               broadcast on BBC4 next Sunday).


               Ahead of his Wigmore Hall performance of Winterreise  this coming Friday, I spoke to Benjamin
               about his early encounters with the cycle, why he finds it such an 'endlessly rewarding' work,
               how his mentor Dietrich Fischer-Dieskau influenced his approach to German song, and the
               forthcoming fruits of his new relationship with Alpha...

               How did your own ‘Winter Journey’ begin?

               I heard one of the songs for the first time when I was in school – a teacher played us one of the
               Fischer-Dieskau recordings, and that was actually the reason that I started loving songs. It really
               was love at first sight: I didn’t know anything about the cycle, I just fell in love with this piece of
               music and how it was communicated so directly on this recording. My very first encounter,
               though, was thanks to my grandfather, who’s not musical at all: his singing was always out of
               tune, but he sang every day and one of his favourites was ‘Der Lindenbaum’, so I got to know
               that more as a folk-song than as high art.

               When I started business admin studies and studied singing in parallel, I learned a lot of song-
               repertoire but never explored Winterreise  – I can’t put my finger on exactly why, but at that stage
               I just didn’t really connect with it. Eventually I was asked to sing it in recital, during a very busy
               period; I remember my father picking me up on the Sunday evening to drive me to the town
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