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53. Radio: This Cultural Life



        Radio 4’s major new interview series invites cultural luminaries including Paul McCartney,
        Kenneth Branagh and Tracey Emin to reflect on their lives and influences.


        52. Opera: The Rhinegold



        Conceived by director Graham Vick before his untimely death from Covid in July, this community-
        based Wagner production from Birmingham Opera was a melancholy triumph. Read the full
        review.

        51. Television: Time


        Five million viewers tuned in to watch Sean Bean and Stephen Graham give an acting masterclass
        as inmate and warder in this brutal prison drama from Jimmy McGovern. Read the full review.

        50. Film: The Power of the Dog



        As a malevolent Montana cattle rancher, Benedict Cumberbatch gives the (unexpected)
        performance of his career in Jane Campion’s masterful psychological western. Read the full
        review.

        49. Dance: Outwitting the Devil, Akram Khan



        Embracing Western and Indian classical dance, and based on The Epic of Gilgamesh, this show
        was a bit baffling. But for sheer beauty, it was hard to beat. Read the full review.

        48. Theatre: Doctor Who: Time Fracture



        In an unforgivingly tough year for theatre, this crazily ambitious immersive epic beneath the
        streets of London was just what the Doctor ordered. Read the full review.

        47. Classical: Thomas Adès



        Any new piece by composer Thomas Adès is an event, but his Clarinet Quintet – which took his
        style in a warmer, more human direction – was truly masterly. Read the full review.

        46. Art: Tino Sehgal



        Blenheim Art Foundation boldly commissioned Sehgal, a 2013 Turner nominee, to choreograph a
        50-strong mob in mufti performing within the palace and its grounds. Read the full review.

        45. Comedy: Bo Burnham: Inside



        Filmed in lockdown, the ex-YouTuber’s Emmy-winning musical Netflix special transformed dead-
        eyed existential despair into something we could all hum along to.
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