Page 49 - Print 21 Magazine Nov-Dec 2018

Labels
“To demonstrate the print quality and resolution, as well as many label samples, we printed the entire book of Alice In Wonderland in three-point type, showing how clear and sharp the text is,” he said.
Currie Group end
to end workflow
HP had one of the largest stands in Chicago this year, and Mark Daws, director of labels and packaging
at Australian and New Zealand distributor Currie Group, was
on hand to show off its kit. The equipment on display included the HP Indigo 20000 wide-web press, and the HP Indigo 6900 and 8000 narrow-web presses, all in-line with ABG equipment such as the Digicon Series 3 digital finishing line. “There was a lot of focus on that from
local customers. It is a true digital
“We printed the entire book of Alice In Wonderland in three-point type, showing how clear and sharp the text is.” – Peter Scott
solution – you are not putting two processes together, it is one process that simplifies a complete end-to- end workflow,” said Daws. According to Daws, this year’s Labelexpo was
a fruitful one for Currie Group. “We have sold several million dollars’ worth of equipment already from the show, predominantly across
HP and ABG,” he said. “From a labels and packaging perspective, all of our suppliers were there – HP, Omet, ABG, Karlville, and Schober Technologies. Cron was there for CTP as well. “The Currie Group team – Jon Murray, Wayne Quayle and I – spent our time going between those suppliers.”
All-digital focus for
Konica Minolta
At the Konica Minolta stand digital
label production on the AccurioLabel 190 press was paired with digital embellishment using the MGI JetVarnish 3DW. Both were a popular attraction, according to Sue Threlfo, general manager for production and industrial print at Konica Minolta Australia. “Visitors to Labelexpo seemed to be looking at digital solutions for both printing and finishing,” she said.
The AccurioLabel 190 was the cornerstone of the Konica Minolta stand. “It is a production label press suitable for both label printers and manufacturers who are interested in producing their labels in-house,” said Threlfo. “With 250 installs worldwide since launch, this press is proving to be the ideal solution for many.”
Another key drawcard was the MGI JetVarnish 3DW digital embellishing unit. Konica Minolta owns 40 per cent of MGI, and the machine attracted plenty of eyes to the stand. “This foil and UV varnish label embellishing solution drew huge interest from the expo visitors,” said Threlfo. “The variety of jobs being printed and embellished on the stand was exceptional.”
It was Threlfo’s first time at Labelexpo Americas, and she believes it was well worth the trip both for herself and Konica Minolta. “We anticipate sales in the coming weeks for both the AccurioLabel 190 and the MGI 3DW,” she said. 21
Exploring the future
The three days of Labelexpo Americas 2018 featured plenty of breakthrough technologies, and Tasha Ventimiglia, event director, said exhibitors had upped their game for this year’s show. “This year’s theme, Explore your Future, really was evident, with more fascinating innovations than ever before providing even more choice for buyers, and a significant increase in exhibitors,” she said.
Epson’s stand featured label presses from flagship to entry level. At the top end was the giant SurePress L-6034VW industrial UV inkjet press, designed for high-speed printing of weather and scratch-resistant labels. The L-6034VW includes features such as white ink, spot varnishing, UV curing, and automatic maintenance.
Also on display was the L-4533AW, a low-cost seven-colour press with water- based ink aimed at new entrants into
the digital label market, and the desktop ColorWorks 7500GE, designed for on- demand label printing. All of Epson’s presses use its PrecisionCore micro-piezo inkjet head technology.
Durst displayed its Tau 330 RSC UV inkjet label and packaging press, which already has 10 installations in Europe. Its eight colour stations give it 95 percent coverage of the Pantone range, and it
can be configured as a standalone device or paired with an Omet flexo press for a hybrid setup.
According to Helmuth Munter, global segment manager for labels and packaging at Durst, “Small, medium, and now long runs are highly profitable with our digital systems. Thanks to a cost-effective total cost of ownership we provide, the options are virtually unlimited and open up an enormous
potential for new products and services in an ever-changing market,” he said. Durst label presses are distributed in Australia by Fuji Xerox.
Equipment wasn’t the only attraction at Labelexpo: Xeikon launched its new QB toner range at the show, which supersedes the QA-I and ICE toners for Xeikon 3000 series and Cheetah digital label presses and is aimed at keeping the European manufacturer ahead of regulatory changes.
The QB toner leaves out compounds that were formerly included, and are still currently allowed. According to Trevor Crowley, sales general manager at Xeikon ANZ, Xeikon wants to make sure its toner continues to meet high sustainability and safety requirements, he says “This toner is ensuring we stay ahead of any changes or upcoming changes in compliance.”
Print21 NOVEMBER/DECEMBER 2018 49