Page 92 - Constructing Craft
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concerned with their own sphere through to a fervent vilification of the trend for

               crafts to seek the status of fine art. The accuracy of his understanding of the
               relationship between craft and art in the past was at times questionable, but

               because he possessed considerable symbolic capital within craft circles he was
               very rarely challenged.


               At a conference organised in 1963 to study and make recommendations on the

               future of craft in New Zealand, Davis was invited to present his thoughts on how

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               craftspeople might organise themselves to meet future challenges.   The speech he
               gave, entitled ‘The Craftsman Today’, was ostensibly about how the crafts must

               adapt and work with modern-day business practices and machinery without

               becoming corrupted by crass commercialism. The underlying theme encouraged
               craftspeople to experiment, but to avoid being seduced by current trends.


                        Craft  movements  of  the  revivalist  type,  that  is  to  say  all  craft
                        movements today, tend to get bogged down in some sort of cul-
                        de-sac. There is a tendency to strive for … [the] artistic with the
                        maximum possible purity. … There is a tendency today to put
                        creative and artistic vigour in a place of top priority. … Aesthetic
                        creativity is only one of man’s many creative faculties and this is
                        why I prefer the concept of human fulfilment for the position of
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                        number one in a scale of values.


               Later he dismissed those who sought the title ‘artist’. ‘[T]here are those who have a
               horror of making two things alike. This jeopardises their souls and for them

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               craftsmanship is out anyway. They are artists they will tell you.’  Nevertheless, he
               was concerned that craftspeople had an opportunity to be creative and he provided

               a simple definition of self-expression and creativity.


                        I  have  …  said  that  creative  gifts  are  inherent in  the  nature  of
                        man. Some men who exercise these gifts are called artists, but
                        these  gifts  are  in  some  degree peculiar  to  all men,  only  most
                        men  never  develop  them.  Why?  The  answer  is  that  our
                        materialistic society offers very … little scope for the exercise of
                        such gifts, … Self-expression is a baffling phrase to many, but
                        behind  it  there  is  a  very  simple  and  natural  process.  The
                        creative process expressed in its simplest terms is the exercise
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                        of choice – personal choice.



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