Page 108 - Song Maps - A New System to Write Your Best Lyrics - Simon Hawkins

1. Problem/Declaration
2. Tension/Response
3. Timezones
Similar to CCM but the inspirational nature of many Southern Gospel songs lends itself so readily to Problem/Declaration. But don't forget the more story-telling Maps like Places and Roles because they work brilliantly too.
Worship
1. Problem/Declaration
2. Truth/Declaration
3. Gratitude/Declaration
Problem/Declaration does lend itself to Worship writing (e.g. Matt Redman's "Holy," Hillsong's "Cornerstone" and "Oceans"). Truth/Declaration is very similar in structure but starts with a Biblical truth before a declarative "Praise" moment (e.g. Chris Tomlin's "How Great is Our God" and "Jesus Messiah" and Benton Brown's "Everlasting God"). Gratitude/Declaration is also a strong variation on the Problem/Declaration Map (e.g. Matt Redman's "Blessed Be Your Name" and Chris Tomlin's "Amazing Grace (My Chains Fell Off)").
Musical
1. Problem/Declaration
2. Roles
3. Tension/Response
By definition the lyrics of songs in a musical need to move the overall plot of the show forward, so it is no surprise that we find some very strong writing in this genre of music. The fact that the quality of songs has the power to determine whether a musical is a hit or a miss means they often attract the best writing talent. Think of the costs involved in making a film like Frozen and it's easy to see why songs like "Let It Go" are great examples of the songwriting craft.
Jazz
1. Tension/Response
2. Places
3. Timezones
Again, we find some very strong writing in classic jazz.