Page 60 - 고산 최은철 개인전 2023. 12. 28 – 1. 3 백악미술관
P. 60

<Collection of Short Comments on the Exhibition>



          impact and aesthetic power of touching, which is   60. Chén-zhì-chāo
          a grand visual festival that gives the spectators the   Choi Eun-cheol has planted Confucianism,
          enjoyment of beauty.                 Buddhism and Taoism into his calligraphy and
          - Liú-xīn, Member of China Calligraphers   inscribing work, so that his work is elegant,
          Association                          graceful, beautiful and profound with the spirit of
                                               Lao-tzu and Zhuāng-zǐ planted on every piece of
          58. Máo-gōng-qiáng                   his.
          Choi Eun-cheol is large-minded, sincere and   - Chén-zhì-chāo, Curator, Chengyuan Painting
          humorous. His art is simple and elegant with   and Calligraphy Art Museum, Chéngdū, China
          fluent calligraphic style. He has been disciplined
          of such various calligraphic styles as oracle
          bone script, bronze script, Yeseo, Haengseo and
          Choseo. Especially his oracle bone script style is
          sharp and nimble with thick fragrance of epigraph,
          which is highly valued enough.
          I wish this exhibition will go smoothly for success
          and his tree of art will be ever green.
          - Máo-gōng-qiáng, Invited Professor, University
          of Saint Joseph, Macao


          59. Zōng-chéng-zhèn
          This work is convergent of such expression
          methods as calligraphy, inscribing, oil painting,
          engraving and so on into one piece of work,
          so that it can express abundant, cubic and
          diverse visual effects dealing with such various
          calligraphic styles as oracle bone script, bronze
          script, Haengseo, Choseo and etc. Such various
          forms for convergence makes it possible for
          the grand images of such characters as “善”,
          “道”, “诚” and “游” to be harmonized with their
          propositions so that they can be convergent in both
          content and form in harmonizing ways, which do
          not only present abundant visual emotion to the
          spectators but also simultaneously make them
          deeply think of the relations between human and
          human; human and society; human and nature;
          human and universe.
          - Professor Zōng-chéng-zhèn, deputy chairman,
          Research Institute of Chinese Calligraphic Rules
          and Culture, Capital Normal University, China












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