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culture





                   it  had  to  be  opened  without  him.  (Many
                   diplomats  know  the  painter  Anker  best  for
                   his  celebrated  work  “Kappelle  Milschuppe”.
                   A  symbol  of  diplomacy,  mediation  and
                   negotiation,  the  painting  was  reproduced  in
                   our  magazine  Diva  International  Diplomat
                   no.1/2023, p.36). And the very last exhibition
                   –  which  has  just  closed  –  the  unusual
                   Cézanne-Renoir, showed us how he saw these
                   two painters through his regards croisés” as a
                   kind  of  anti-these  –  total  opposites.  During
                   each  of  these  last  two  exhibitions,  there  was
                   a touching tribute to Léonard Gianadda, one
                   inside the Foundation building and the other
                   in  the  wonderful  sculpture  garden,  which
                   made both exhibitions special. In our hearts,
                   we join this tribute to this outstanding man.

                   We planned to invite Mr Gianadda for an interview
                   as we are so passionate about his work. We have
                   artists on our editorial board, and we know there
                   are  artists  among  the  United  Nations  staff,  as
                   well as talented painters among the diplomatic
                   community  (diplomats  themselves  and  their
                   spouses), who paint and exhibit. We intended to
                   discuss a joint project or a potential exhibition
                   of ‘the internationals’ at his Foundation. The idea
                   originated after several significant exhibitions by
                   our close colleagues, both in Geneva and in New
                   York. Unfortunately, our interview will not take
                   place because Mr Gianadda left us in December
                   2023. The Foundation, knowing that we would
                   be writing a tribute to Léonard Gianadda, kindly
                   provided us with several portraits of him for our
                   publication,  several  of  which  accompany  this
                   article.

                   And  recently,  in  December  2024,  on  the  first
                   anniversary of the death of Léonard Gianadda,
                   the  Pierre  Gianadda  Foundation  got  a  new
                   address: rue Léonard Gianadda. This symbolic
                   gesture of renaming the street running past front
                   of  the  Foundation  honours  Léonard  Gianadda
                   and pays tribute to the immense contribution of
                   this patron of the arts to Maratigny and his giant
                   influence on Martigny’s cultural heritage.

                   The Foundation is now in the hands of his son
                   François Gianadda. This means that the family
                   story  of  Gianadda  and  the  arts  will  continue
                   through another generation, and we wish long
                   years and lots of success to this wonderful place
                   – a true palace of arts, conceived, created and
                   nurtured by Léonard Gianadda.
                   Editorial Board

                   w w w. d i va i n t e r n at i o n a l . c h
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