Page 10 - ION Indie Magazine JanFeb 2018
P. 10

PL: It's not about who gets the last word. My first public musical experiences were playing with my dad when I
       was about six. We would do cabaret at the Mason’s Hall and the Moose Club, day-care centres, hospital day-
       rooms, you know. He would do his Bing Crosby and Frank Sinatra and I would play the guitar. We were doing a
       gig back at the Moose Hall in Basingstoke for Basingstoke police constabulary. It’s occurred to me that it is fifty
       years since I played in the Moose Hall with my dad and it came back as one big flood of memories. There was
       always music in the house, guitars in the house, but the last thing you want is a pushy parent going, ‘You must
       practice the piano. You must do this.’ He (Matt) did pick it up and quickly it became clear that he was serious
       about it. So then, of course, you do encourage. I was busy in my other band, 'The Riotous Brothers,' at the time,
       so this was the other band that was going to do things now and then -- and that has turned right on its head now.
       As soon as you start playing, it is not father-and-son anymore…it's just two musicians. It's probably father-and-
       son when I am trying to get us to leave the house and load the car and ‘Why is nobody ready?’ But once you got
       past all that bit, the playing music is just musicians playing. I have a respect for what Matthew can do when he
       plays the guitar like nobody I have seen in a long time. I can say this because I am a professional looking at it
       dispassionately.

       ML: Yeah, there's also no cameras as well.

       PL: The thing that I like most about it, is that he means it's never phoney, it is never half-hearted. It's all-or-
       nothing. The audience can see that it's real. That was the thing that spurred me on with it. And then the band
       itself started to gel in a way, which I wasn't expecting either. As the gig's got slightly bigger, I thought, ‘This is
       getting quite serious.’ I have been blessed in the bands I have been in for the last twenty years -- to play with two
       great guitar players, so much so, that I have actually given up playing the guitar myself. I don't see the need to
       get it out of the case too often.

       ML: I play all his guitars now. I just love playing with Paul -- with my dad. He always gets mad whenever I am on
       stage and I call him 'dad’. "This is a not professional..." The amount of times I have been asked, ‘It must be weird
       playing in a band with your dad all the time.’ It's not, it's a lot of fun! If you take away the fact that he is my
       dad…he is a very intelligent human being, a brilliant musician, and he's just a really fun guy to work with. That is
       just a great band member, if you ask me. As far as the dynamic of who says what the last word is, it is very much
       a group thing. We always try and think of what’s best for each other. Most bands you play in, there is always one
          person who is like, ‘This is about
       me  and  everything  must  be
       about  me.’  There  are  a  lot  of
       guitar  solos,  but  at  the  same
       time,  it's  always  songs  which
       we  have  all  collaborated  on
       together.  There  is  no  big-
       headedness about it; there are
       no egos -- it's all just a bunch of
       guys  having  fun  and  writing
       some songs. At the end of the
       day,  what  more  can  you  ask
       for?






            Pictured: Kevin Yates
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