Page 39 - ION Indie Magazine MarchApril 2024
P. 39

“The album is called ‘Hard Times & Deadlines’ after our first single off the album, ‘Hard Times’,” said
         Dougherty. “One of the lyrics within the song includes the phrase, ‘Hard times and deadlines,’ and it
         had been so long since we had released a full-length album, that we were simply just experiencing
         how challenging it is to navigate being serious musicians while also maintaining other jobs for financial
         reasons. We were feeling the hard times at points during the creation of this album, and also feeling
         the pressure of continuing the creation, but if you don't keep putting stuff out, you come close to fading
         away. So, ‘Hard Times and Deadlines’ is our literal way of putting how we're feeling.”

         Dougherty explained that while everyone in the band contributes to song writing and perfecting, he
         and guitarist and other lead vocalist, Ben Majeska, are the two primary sources of Armchair Boogie’s
         original music.

         “Ben and I will come to the band with a song that’s maybe 75% finished and we’ll pass it around the
         band to see how we collectively finish it off. This method has been really working for us lately, and
         one of my favorite singles off the album, ‘Livin’,’ is actually the result of this method,” Dougherty smiled.
         “I looked for a bit more collaboration than I normally do for ‘Livin’’ because we were already sitting
         and tinkering with it together as a band. So, the syncopated jam session that emerged from it was too
         good to toss out.”

         Tinkering and playing off of one another’s music and ideas has shaped many songs in Armchair
         Boogie’s repertoire, and often the memories that come from these days feed into what their favorite
         songs to perform together are.

         “‘Livin’’  is  one  of  my  favorites  to  perform  because  it’s  just  so  fun,  and  I  always  remember  that
         impromptu jam session,” Dougherty chuckled. “I think it's a good example of the genre that we’re in
         and the sound that we produce. It's my favorite because it’s hard to be perfect at it. It’s technical
         enough to be challenging, and I like that I screw it up every once in a while. I have a drive to play
         better because of that song.”
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