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other that he was a man of excellent gifts, and he listened to
       them willingly when they prophesied his future eminence.
       In course of time he became an authority on art and litera-
       ture. He came under the influence of Newman’s Apologia;
       the picturesqueness of the Roman Catholic faith appealed
       to his esthetic sensibility; and it was only the fear of his fa-
       ther’s wrath (a plain, blunt man of narrow ideas, who read
       Macaulay) which prevented him from ‘going over.’ When
       he only got a pass degree his friends were astonished; but
       he shrugged his shoulders and delicately insinuated that he
       was not the dupe of examiners. He made one feel that a first
       class was ever so slightly vulgar. He described one of the
       vivas with tolerant humour; some fellow in an outrageous
       collar was asking him questions in logic; it was infinitely
       tedious, and suddenly he noticed that he wore elastic-sid-
       ed boots: it was grotesque and ridiculous; so he withdrew
       his mind and thought of the gothic beauty of the Chapel at
       King’s. But he had spent some delightful days at Cambridge;
       he had given better dinners than anyone he knew; and the
       conversation in his rooms had been often memorable. He
       quoted to Philip the exquisite epigram:
         ‘They told me, Herakleitus, they told me you were dead.’
         And now, when he related again the picturesque little an-
       ecdote about the examiner and his boots, he laughed.
         ‘Of course it was folly,’ he said, ‘but it was a folly in which
       there was something fine.’
          Philip, with a little thrill, thought it magnificent.
         Then Hayward went to London to read for the Bar. He
       had charming rooms in Clement’s Inn, with panelled walls,

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