Page 357 - of-human-bondage-
P. 357

ton roasted round the corner and brought round hot and
            savoury (Miss Chalice had cooked the potatoes, and the stu-
            dio was redolent of the carrots she had fried; fried carrots
           were her specialty); and this was to be followed by poires
           flambees, pears with burning brandy, which Cronshaw had
           volunteered to make. The meal was to finish with an enor-
           mous fromage de Brie, which stood near the window and
            added fragrant odours to all the others which filled the stu-
            dio. Cronshaw sat in the place of honour on a Gladstone
            bag, with his legs curled under him like a Turkish bashaw,
            beaming  good-naturedly  on  the  young  people  who  sur-
           rounded him. From force of habit, though the small studio
           with the stove lit was very hot, he kept on his great-coat,
           with the collar turned up, and his bowler hat: he looked
           with satisfaction on the four large fiaschi of Chianti which
            stood in front of him in a row, two on each side of a bottle
            of whiskey; he said it reminded him of a slim fair Circas-
            sian guarded by four corpulent eunuchs. Hayward in order
           to put the rest of them at their ease had clothed himself in
            a tweed suit and a Trinity Hall tie. He looked grotesquely
           British. The others were elaborately polite to him, and dur-
           ing the soup they talked of the weather and the political
            situation. There was a pause while they waited for the leg of
           mutton, and Miss Chalice lit a cigarette.
              ‘Rapunzel, Rapunzel, let down your hair,’ she said sud-
            denly.
              With an elegant gesture she untied a ribbon so that her
           tresses fell over her shoulders. She shook her head.
              ‘I always feel more comfortable with my hair down.’

                                               Of Human Bondage
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