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LXXXIII






               ronshaw  was  publishing  his  poems.  His  friends  had
           Cbeen urging him to do this for years, but his laziness
           made it impossible for him to take the necessary steps. He
           had always answered their exhortations by telling them that
           the love of poetry was dead in England. You brought out a
            book which had cost you years of thought and labour; it
           was given two or three contemptuous lines among a batch
            of similar volumes, twenty or thirty copies were sold, and
           the rest of the edition was pulped. He had long since worn
            out the desire for fame. That was an illusion like all else. But
            one of his friends had taken the matter into his own hands.
           This was a man of letters, named Leonard Upjohn, whom
           Philip had met once or twice with Cronshaw in the cafes of
           the Quarter. He had a considerable reputation in England
            as a critic and was the accredited exponent in this country
            of modern French literature. He had lived a good deal in
           France among the men who made the Mercure de France
           the liveliest review of the day, and by the simple process of
            expressing in English their point of view he had acquired in
           England a reputation for originality. Philip had read some of
           his articles. He had formed a style for himself by a close imi-
           tation of Sir Thomas Browne; he used elaborate sentences,
            carefully balanced, and obsolete, resplendent words: it gave
           his writing an appearance of individuality. Leonard Upjohn

                                               Of Human Bondage
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