Page 311 - the-portrait-of-a-lady
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kind of undemonstrable pity for her; there seemed some-
         thing so dreary in the condition of a person whose nature
         had, as it were, so little surface—offered so limited a face to
         the accretions of human contact. Nothing tender, nothing
         sympathetic, had ever had a chance to fasten upon it—no
         wind-sown  blossom,  no  familiar  softening  moss.  Her  of-
         fered, her passive extent, in other words, was about that of
         a knife-edge. Isabel had reason to believe none the less that
         as she advanced in life she made more of those concessions
         to the sense of something obscurely distinct from conve-
         nience—more of them than she independently exacted. She
         was  learning  to  sacrifice  consistency  to  considerations  of
         that inferior order for which the excuse must be found in
         the particular case. It was not to the credit of her absolute
         rectitude that she should have gone the longest way round
         to Florence in order to spend a few weeks with her invalid
         son; since in former years it had been one of her most defi-
         nite convictions that when Ralph wished to see her he was
         at liberty to remember that Palazzo Crescentini contained a
         large apartment known as the quarter of the signorino.
            ‘I want to ask you something,’ Isabel said to this young
         man the day after her arrival at San Remo—‘something I’ve
         thought more than once of asking you by letter, but that
         I’ve hesitated on the whole to write about. Face to face, nev-
         ertheless, my question seems easy enough. Did you know
         your father intended to leave me so much money?’
            Ralph stretched his legs a little further than usual and
         gazed a little more fixedly at the Mediterranean. ‘What does
         it matter, my dear Isabel, whether I knew? My father was

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