Page 635 - the-portrait-of-a-lady
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merits. She had always observed that she got on better with
         clever women than with silly ones like herself; the silly ones
         could  never  understand  her  wisdom,  whereas  the  clever
         ones-the really clever ones-always understood her silliness.
         It appeared to her that, different as they were in appearance
         and general style, Isabel and she had somewhere a patch of
         common ground that they would set their feet upon at last.
         It was not very large, but it was firm, and they should both
         know it when once they had really touched it. And then she
         lived, with Mrs. Osmond, under the influence of a pleas-
         ant surprise; she was constantly expecting that Isabel would
         ‘look down’ on her, and she as constantly saw this operation
         postponed. She asked herself when it would begin, like fire-
         works, or Lent, or the opera season; not that she cared much,
         but she wondered what kept it in abeyance. Her sister-in-
         law regarded her with none but level glances and expressed
         for the poor Countess as little contempt as admiration. In
         reality Isabel would as soon have thought of despising her as
         of passing a moral judgement on a grasshopper. She was not
         indifferent to her husband’s sister, however; she was rather
         a little afraid of her. She wondered at her; she thought her
         very extraordinary. The Countess seemed to her to have no
         soul; she was like a bright rare shell, with a polished surface
         and a remarkably pink lip, in which something would rattle
         when you shook it. This rattle was apparently the Count-
         ess’s spiritual principle, a little loose nut that tumbled about
         inside of her. She was too odd for disdain, too anomalous
         for comparisons. Isabel would have invited her again (there
         was no question of inviting the Count); but Osmond, after

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