Page 67 - A Dissertation for Doctor of Philosophy
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The Problem of Distance between Pulpit and Pew
Since there has been a theological indifference toward popular culture, and in light of the
absence of any theory to analyze it, the conservative moralistic preaching in Korea fails to
exegete people and culture properly. 153 Traditionally, those who were under authority were the
passive receivers of the thoughts and orders of conducts. In a preaching context, the Korean
congregation was conceived as “the passive destination” of the preacher’s message. 154
Likewise, in the other two preaching models, the existential distance between pulpit and
pew is also abominable, unable to be traversed due to the inherent hierarchical structure of the
preaching office. In other words, the people in the pew are prevented to participate in the
process of preparation and delivery of preaching.
Since preaching is a theological, sociological, corporate, and contextual affair, it mortally
wounds the Church when the people of the community are unable to participate. Even the
formation of the Scriptures occurred within the community of God’s people. Wardlaw confirms
that “the people of God as community are co-creators with the author/speaker of the passage of
the passage.” 155 Under the inspiration of God, the community of faith not only produced a text
but also “consume the text, that is, to take, use, heed, respond, and act upon the text.” 156 The
153 Jong Kyoon Park, “Analysis on the Characteristics of the Korean Popular Culture,” in
st
21 Segi-eui Tojun-kwa Kidokkyo Moonhwa (The challenge of the 21 and Christianity culture)
ed., United Association for Ethics, 139.
154
Unyong Kim, “Faith comes from Hearing,” 233.
155
Don M. Wardlaw, “Preaching as the Interface of Two Social World,” in Preaching as
a Social Act: Theology & Practice, ed., Arthur Van Seters, (Nashville: Abingdon Press, 1988) 76.
156 Walter Brueggerman, “The Social Nature of the Biblical Text for preaching,” in
Preaching as a Social Act: Theology & Practice, ed., Arthur Van Seters, (Nashville: Abingdon
Press, 1988) 131.