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Series Four
                            Activist Platters and Vases



                            For centuries, artists have

                            used the ceramic arts, both
                            decoratively and expressively,

                            to commemorate events
                            and create social or political

                            awareness. In 2008, Judith Swartz           Proudly South Africa I (platter). August 2019, 400mm width.
                            published her ground-breaking        Digitally printed ceramic transfers of my ballpoint pen drawings of a five clawed
                                                                dragon, a barn swallow, mist and water, digitally enhanced into patterns and cutout
                            book, Confrontational Ceramics,
                                                                      into positive and negative shapes. Fired onto a readymade platter.
                            in which she documents artists’

                            approaches, in clay, to such
                            contentious topics. In the

                            demanding here and now of our
                            interconnected global world,

                            social media demands our
                            awareness of social issues

                            as never before. The titles of the
                            individual works in this ceramic
                                                                                                                                                   Xenophobia I (platter). September 2019, 400mm width.
                            series address particular issues:
                                                                          Mean-while I (platter). September 2019, 400mm width.                     Digitally printed ceramic transfers of my ballpoint pen drawings
                            xenophobia, migration and the                                                                                          of a barn swallow and water, digitally enhanced into patterns and cutout
                                                                 Digitally printed ceramic transfers of my ballpoint pen drawings of a five clawed
                            refugee crisis, including the Hong                                                                                     into positive and negative shapes. Fired onto a readymade platter.
                                                                dragon, a football, a barn swallow, mist and water, digitally enhanced into patterns
                            Kong Umbrella Revolution.             and cutout into positive and negative shapes. Fired onto a readymade platter.


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