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Drawing and Ceramics:
 Pioneering a Digital Solution


 Written by Eugene Hön
 I am a ceramic artist with a passion for ballpoint pen drawing. In the past, I used my drawing as a design

 tool to create modelled, press-moulded and fired figurative ceramic sculptures. The renderings were executed
 on acid free paper in bound books as ballpoint drawings fade with time when exposed to direct light. With

 the advances in ceramic and digital technology, I am now able to capitalise on my ballpoint drawing skills
 to create digitally printed ceramic transfers, which can be fired onto a range of  ‘readymades’ as well as expressive

 ceramic statements. This was a real breakthrough for me. When the first batch of digitally printed ceramic
 transfers was test fired onto commercially produced ceramic plates, my ‘impermanent’ ballpoint drawings

 were instantly immortalised. The intricate crosshatching detail was perfectly visible in the fired transfers,
 even when the rendered image was radically reduced in size. This article sheds light on the techniques involved

 in producing digitally printed ceramic transfers, focusing on creative drawing opportunities in the field
 of ceramics.


 I am a lecturer in ceramics to Industrial Design students at the University of Johannesburg. Through my work,

 I am exposed to the latest 3D printing and manufacturing technology. Although I wholeheartedly embrace
 the advances in digital technology, I do not lose sight of my creativity, rooted in ceramic craft traditions.

 I consider myself a ceramic artist who celebrates the handmade whilst exploring a range of digital creative
 options  −  seeking  new  possibilities  for  this  art  form.  My  first  ceramic  installation  featured  a  projected
                                           Manufraction IV (shard). September 2017, 540mm length, 290mm height.
 animation of my ballpoint drawings entitled …. and the ship sails on. My latest work rises to the challenge voiced   Digitally printed ceramic transfers of a barn swallow fired
 by Paul Scott in the ceramic handbook series, Ceramics and Print.  onto a press-moulded shard (earthenware).







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