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The Road Less Traveled. February 2018, 125mm diameter. Refuse III. April 2018, 550mm length.
The jewellery installation piece featured here, capitalizes on Hön’s detailed blue ballpoint pen drawings of a barn The ceramic installation featured here, capitalizes on Hön’s detailed blue ballpoint pen drawings of a barn
swallow, digitally printed as ceramic transfers and fired onto one of the shards of a broken bone china bowl. This swallow, digitally printed as ceramic transfers fired onto readymades. The work titled Refuse, includes a partially
work titled The Road Less Traveled, comprises the partially restored bowl with its missing shard, metamorphosed into restored broken bone china bowl with its missing shard, featuring a barn swallow, attached with a bird leg tagging
a jewellery pendant. Hon references shards that are critical in the research into cultural migrations – even more device. Hon references shards that are critical in the research into cultural migrations – even more prevalent today
prevalent today in a global society with its problems surrounding the displacement of migrants and refugees. in a global society with its problems surrounding the displacement of people (migrants and refugees).
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