Page 117 - Fascism: The Bloody Ideology Of Darwinsim
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An Analysis Of 20th Century Fascism        117




                      In 20th century fascist states, works of art, if any, were prepared and
               controlled by the state to serve as propaganda. These were the products of a
               soulless and mechanical "art to order." No real works of art emerged. For
               instance, only those subjects that the state allowed could be painted, such as
               war. Subjects disliked by the state were forbidden. The same applied to the
               written word, only those things the fascist state permitted could be written
               about, and nothing else. As a result, art totally unrelated to true art emerged,
               that, aesthetically, rendered art, architecture and literature rigid, soulless and
               dull.
                      The most obvious examples of this were seen in Hitler's Germany.
               Because of his racist views, Hitler boycotted certain art forms. For example,
               because he looked on Africans as an "inferior race," the playing of jazz was
               forbidden in Germany, for it was regarded as "black man's music." In 1935,
               Eugen Hadamowski, the head of German radio, announced that by order of
               Hitler, he prohibited the playing of Negro jazz on German radio.
                      At the beginning of the 1940s, at the height of Hitler's power, jazz began
               to be used as a propaganda tool in radio broadcasts directed at Great Britain
               and America. At that time, and in most countries, jazz was one of the most
               popular forms of music. Europe's greatest
               jazz musicians were brought together. The
               first thing done was to translate all the
               English names of the famous jazz songs
               into German. The lyrics of these songs
               were altered to conform with Nazi
               propaganda, and was played only on
               programs aimed at the West, and
               completely forbidden on domestic German
               radio.
                      The lyrics of the songs were entirely
               fascist in content. Here is one example.

                      You're the greatest…  You're a
                      German pilot… You're machine gun
                      fire… You're a heroic submariner…
                                                                A publicity poster for an
                      You're the greatest…  You're a            exhibition held by the Nazi
                      German bomber…    54                      administration in 1938. The aim
                                                                of the exhibition was to display
                      That was the Nazis' idea of art and       and denigrate works that did not
               music. Paintings, song lyrics, music and         conform to Nazi cultural policies.
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