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there's a 1960s re-recording of something with the good tape and the nice remastering, I tend
    to go for that over the scratchy 78 version. I appreciate a lot of prewar blues fans think that’s
    heresy. But I'm a big fan of kind of the rediscovery era stuff, because you can hear it properly
    and you can hear the nuance in a way that I think you lose it on some of the older stuff.

    BiTS:  Somebody famous, I'm not sure who it was, said you can't get away with anything when
    you're an acoustic player because all the mistakes show up.

    PPW:  Yes, I mean, depends who you’re stood next to sometimes, I think, but yes.

    BiTS:  You've been at this for a long time. You work solo now, I think. Have you ever been with
    a band?


    PPW:  Yes, I was in a band called .44 Pistol from about 2008 through to about 2016, and we did
    a little reunion tour, but I think the point where music became my career, it got to be that we
    had slightly conflicting ideas of what we should be doing. We didn't fall out or anything. Those
    guys wanted a gig a fortnight, and I wanted three gigs a week.

    BiTS:  Right. You're in Stafford, I think, is that right?

    PPW:  Yes, that's correct, yes.

    BiTS:  And do you work mostly around that area?

    PPW:  Yes, post-pandemic, most of it's been Midlands based. I mean, I don't limit myself to the
    Midlands. Pre-pandemic I did tours of France and Germany and Belgium and Scotland and Ireland
    and all sorts of places. But I'm still finding I'm still fighting to build it up again.

                                               BiTS:  We'll talk about “Liège” in a minute, which is one of
                                               my  favourites  of  your  albums.  I  think  that's  absolutely
                                               fabulous. Tell me, first of all, how many albums have you
                                               done so far?

                                               PPW:  Well, depends what you're counting. I did two EPs
                                               that I recorded at home and then I made an album in 2016
                                               in a proper studio. And then I did a live album of traditional
                                               songs in front of an audience, and then I did “Live At Liège”.
                                               Then I did the “Wildwood Flowers” EP, which is like a bit
                                               more folky, and then I've done this new one which is called
                                               “Blues, Ballads And Barnstormers”. So is that six altogether?
                                               But  there's  kind  of  only  actually  two  of  those  that  are
                                               full-length studio albums.


                                               BiTS:  You've indicated already that you've done quite a bit
                                               of travelling around the world. Do you have a place where
                                               you  were  playing  when  all  of  a  sudden  you  thought  to
                                               yourself, what on Earth am I doing here? This is absolutely
                                               wonderful. Anything that's outstanding like that?

    PPW:  Yes, there's been a few of those moments. I'm trying to think now. Often it’s been, you
    know, like support acts and things. I played one of my first gigs after I gave up my job and I went
    on tour in Scotland for three weeks as one of the very first things I did, and I managed to get a
    support slot for Stefan Grossman on the Isle of Bute. I mean, it was a social club. It wasn't a big
    venue, but that, you know, amazing ferry ride across to the island and then having breakfast
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