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Georgia Randall—Hound Dog—Independent

                                            Now living in Florida, singer/ guitarist/ songwriter Georgia told
                                            her story in September 2020’s edition of BITS, from early days

                                            singing in church and listening to rock and roller Gene Vincent
                                            and his father playing guitars at a house just down the street.

                                            Her fourth album, Hound Dog is a very fine set of blues and
                                            roots music – the title track is of course the Big Mama Thornton
                                            number that helped a certain Mr. Presley start his career, and
                                            Georgia updates it tastefully, though keeping the flavour of the

                                            50s. She shows a fondness for the music of the 60s too, with a
                                            contemporary re-working of Buffalo Springfield’s anthemic ‘For
    What It’s Worth’, and subtle Indian shadings on the otherwise soul-styled ‘She Likes It’.

    The old folk-blues staple ‘House Of The Rising Sun’ gets a strong re-imagining as a slow blues ballad
    with soul touches, and the set opens with the catchy blues-rock groove of ‘Isolation Blues’. ‘Fever’ is
    an older original of Georgia’s, here present as an excellent sultry blues, as is the slightly sprightlier

    ‘VooDoo’, with wah wah guitar, before Georgia invites the listener to her ‘Rock ‘N’ Roll Party’, with
    the music certainly appropriate, and ‘Ms Sadie’ falls somewhere between the blues grooves of The
    Rolling Stones and the sassiness of Tina Turner.

    So, chalk up another good-timin’ blues and roots winner for Ms Randall. Recommended.

    Norman Darwen

    (www.georgiarandall.com)





                                            Ajay Srivastav—Innocent People—Scion Records

                                            Ajay often mixes the Mississippi blues with his Indian heritage
                                            extremely successfully, and this single is another example of just
                                            how well he can do it. Here he comments on the unfairness of
                                            the world, sung passionately and convincingly with even just a

                                            hint of vintage Bob Dylan to the track, accompanied by his
                                            excellent slide playing on his steel guitar, and with tabla also
                                            prominent, and he manages to remain positive. Ajay is always
                                            well worth a listen and this pointedly political track is no
                                            exception. His second album “Powerless” is another set, due
                                            later in the year.





    Norman Darwen




    (www.ajayhq.com)
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