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THE BiTS INTERVIEW: Mitch Woods









     Mitch Woods (born April 3, 1951, Brooklyn, New York is an American modern day

     boogie-woogi e,jump blues and jazz pianist and singer. Since the early 1980s he has
     been touring and recording with his band, the Rocket 88s. Woods calls his music,
     "rock-a-boogie," and with his backing band has retrospectively provided a 1940s and
     1950s jump blues style.

     Mitch is well versed in the four principal styles of piano playing, Chicago blues, Kansas

     City boogie-woogie, West Coast jump blues and the poly-rhythmic accents of New
     Orleans.

     Ian McKenzie spoke to him on the telephone at his home in San Francisco.




                                     MW: Hello.

                                     BiTS: Mitch. Hello. It's Ian McKenzie from England.

                                          MW: Hi, Ian. How you doing?

                                              BiTS: I'm very well indeed. Thank you  first of all, for agreeing
                                                   to speak to me in what is actually pretty early morning
                                                     for you there.

                                                          MW: Yeah, it's a little bit early, not too bad, but
                                                             early evening for you.

                                                                BiTS: I obviously want to talk to you about
                                                                the new record and let's make a start if we
                                                                may. Can you tell me something about how
                                                               you got into boogie in the first place?

                                                              MW: Well, I mean, I started playing piano when
                                                              I was 11 years old. My mom was a single mom,

                                                                and she used to hire the superintendent of
                                                                  my building to take me to school and he was
                                                                   an African American man and we stopped
                                                                   off at his cousins’ house or something, and
                                                                   somebody  was  playing  piano,  boogie
    piano. I said, wow, I'd like to do that. I mean, it took a while to get to that point. I started playing
    classical first, you know, but eventually people said, oh, you sound like the old boogie woogie
    guys, and I found all the old albums I could find and listened to all the greats, and that got me
    going.

    BiTS: Did you find that being educated on classical piano affected you in any way when you
    started playing boogie?

    MW: No, really, I mean, I got bored with classical is what happened, but it was a good foundation
    and I think all musicians should learn how to read and the correct fingering and all that stuff.
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