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to their investigations into late night chicken with the raucous, chugging Bo Diddley-style ‘Fat
     Man’s Chicken’, while the guys check out with ‘Elmer’s End Blues’ another instrumental with
     Joff  on  chromatic  harmonica  -  it  reminded  me  of  the  Dixon  of  Dock  Green  theme  tune,
     “Evening  all”.    The  band  are  obviously  trying  to  expand  their  sound  and  style  with  these
     expanded line-ups which is fine for records.  However, I’m afraid that I do ilke their basic trio
     blues,  which  hopefully  will  continue  to  be  the  sound  that  they  make  during  their  live
     appearances.

     Graham Harrison

                                         Joel  Astley—Seattle  to  Greaseland—Blue  Heart    ASIN  :
                                         ‎0CB75MWYJ

                                         I’d never heard of Joel Astley before, not surprising as this is the
                                         Seattle bluesman’s debut recording, but as it was recorded in
                                         Kid Andersen’s Greaseland studio it immediately got my atten-
                                         tion.  Opener ‘Born Cryin’ is an interesting song - “If you say
                                         you’ve  never  had  the  blues  you’re  lyin’  because  everything
                                         that’s born was born cryin’” with a lilting beat and featuring Kid
                                         on guitar and Joel on vocals and harp,  ‘Candy Store’ is a swing-
                                         ing jump blues and ‘Just Right’ has a rockabilly vibe.  Joel’s lyrics
                                         are all very original and take this album above the normal run

     of blues debuts, on ‘Karma Wheel’ he calls for patience while both Kid and Johnny Burgin take
     lead guitar solos and on ‘Second-hand Kid’ he bemoans always having to have hand me downs,
     to the extent “I wrecked a car back when I was a kid, they thought I was gonna die and I almost
     did but the doctors topped me off with some blood from a donor - seems even the blood in my
     veins has had a previous owner!”

     ‘Takin’ It with Me’ is a jazzy song with Joel on chromatic harmonica and Kid on organ, ‘Down
     to the Rims’ is a boogie with Kid on electric piano and both songs are powered by the rhythm
     section of Randy Bermudes (bass) and June Core (drums).  ‘Work with What You’ve Got’ is a
     fairly  conventional  Chicago-style  blues  with  backing  vocals  from  Jill  Dineen  and  Marina
     Crouse and ‘Bobby’s Place’ is more hard-hitting blues with Joel on harp and Mr. Burgin on
     electric slide guitar.  The final track ‘No Brighter Gold’ is a catchy old-style melodic gospel song
     – think Staples Singers - with Joel’s harp and the girls on backing vocals.  This is a very good
     debut release from Joel and he couldn’t have a better producer, studio and musicians to work
     with, I’ll be very interested to see what he does in future.  Kid does play a bit of guitar here but
     seems to concentrate mainly on keyboards with Johnny Burgin doing most of the heavy lifting
     on guitar.

     Graham Harrison

                                         Omar and the Howlers—What’s Buggin’ You?—Big Guitar
                                         Music ASIN:  B0C7FC6FGW

                                         Six years ago Omar Kent Dykes developed a muscle disease in
                                         both arms which meant that he couldn’t play guitar and it’s only
                                         been earlier this year that he has been able to play and return
                                         to the studio to record this album and consider touring again.

                                         The  Howlers  backing  him  here  are  long-time  member  Jason
                                         Crisp (bass), Eve Monsees (guitar) and Mike Buck (drums).  We
                                         kick  off  with  a  rocking  novelty  song  ‘Bad  Monkey’  featuring
                                         Omar’s fabulous deep, rich voice, followed by the Jimmy Reed-
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