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result and the product so that’s how it came about. Now I wish I had used Castro as I like my name, but we have branded
    Mr. Sipp so that’s what it will be.

    My first album as Mr. Sipp was an independent thing, it was on my label Baby Boy Records and Malaco picked it up
    later on. When I cut that record I was still an artist on Malaco as a gospel artist and I told them what I was going to do
    and they didn’t believe me. They told me nobody is listening to that type of music and they told me to write more
    gospel songs. I told them they were telling me what I wanted to hear, as all my life people have been telling me what
    can’t be done. So that record, I sold three hundred and ninety six thousand dollars’ worth. That record is all me, all
    original material, all instruments played by me and so on. When I showed Malaco the physical numbers of what I had
    sold, they wanted to cut a record on me, which was all good for the game and I didn’t mind, and I knew I could only
    go so far as an independent. I could make money but I couldn’t go further and for me getting further and building more
    relationships was important. That money I made did pay off some bills and put back some college funds and tied up
    some insurance for the girls, my daughters. It also put me in a position where I do have a budget to promote any record
    I release, whether a label would promote it or not, that means that I put fifty per cent of that money away for music use
    only. I would never have a record that was not promoted and as it is my career I cannot wait on any one person to do
    something, I would try and make it happen.


    I think I have brought something different to the blues game. First of all I run a clean and respectful organisation. We
    are not drinking smoking or getting high, we are not chasing women all over the world. We are businessmen that love
                                                   the music and love people and stay out of everyone’s way. That is the
                                                   kinda camp that I run. The other thing is the twenty years of gospel
                                                   gave me an edge. I’ve mastered the craft of connecting with people.
                                                   The church taught me that and the other thing is I never have a set list.
                                                   It’s because I’ve been totally trained how to read a crowd. My guys
                                                   never know what I’m going to sing until I turn around and say, as
                                                   examples, ‘Can I Ride’ or ‘Mrs. Jones’. I’m watching the crowd and
                                                   I mix with the crowd before I hit the stage as to what moves them and
                                                   what doesn’t move them.

                                                   My second release was on Malaco and is called ‘Mississippi Blues
                                                   Child’ and that album was quite different from the ‘It’s My Guitar’
                                                   record. Malaco is a soul based label so what I did is to give them
                                                   something they could work with and promote. I did half soul type
                                                   music and the other half what I call the Mississippi blues. I didn’t
                                                   know at that point that the label didn’t know what to do with the type
                                                   of blues I was playing. So hence the half and half music mix which
                                                   worked out for me, as that created another audience for me to play. I
    put money behind that record on the blues side to get it in certain places and on certain stations, because Malaco didn’t
    have those connections. As for the songs on the record that fitted their label, they knew where to send it, so with the
    fifty fifty split I thought that was fair and it worked and that album won me a BMA.


    Go back a little and after 2013 and I didn’t win the IBC I quickly put a show together, so I worked from June throughout
    2013 and did the challenge again in Vicksburg, as I decided I wanted to go back to the IBC. I won the regional again
    and then I ran into a problem as I got cast in the James Brown movie ‘Get On Up’ and my original character and the
    filming date was during the same time as the IBC. I was afraid to take that
    main role because I knew I was going to do the IBC, so I had to make a
    decision, either be in the James Brown movie or be at the IBC. I explained to
    the producer what I was up against, so they gave me a lesser role and I became
    Les Buie, James Brown’s first guitar player so that meant I had lesser scenes
    that would allow me to do the IBC. So I went to the IBC and I made the right
    decision as I won the 2014 IBC. This is the great thing about taking a lesser
    role. The role that I took gave me more face time than the role I would have
    kept. The guy I was going to play in the movie was Jimmy Nolen and it was
    Jamell Richardson that played him. So it all worked out for me.

    My second album on Malaco was ‘Knock A Hole In It’ which came out in
    2017. Now currently I am touring as a blues and gospel guy and not many
    people have been able to do that. I am currently touring as Mr. Sipp or Castro
    Coleman And The True Believers. The True Believers have a new album out,


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