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A RETURN TO THE INTERVIEW WITH

                                                               GAYE ADEGBALOLA

                                                                             by

                                                                    Lawrence Lebo



                                             Musician  Gaye  Adegbalola  is  an  American  treasure  and
                                              important figure in the American historical landscape. Born
                                              Gaye Todd in 1944, in Fredericksburg, Virginia to a school
                                             board  member  and  jazz  musician  father  and  a  civil  rights
                                   m o v e m e n t
                         organizer  mother,  Gaye
             came    up    during    a  monumental
     time and place in African American history.
     She graduated  in  1961  from  a  segregated
     high  school  as  her  class valedictorian
     where she participated in numerous sit-in
     protests and picket lines as a member of
     the civil rights movement. During the mid
     60’s to 1970 she was involved in the Black
     Power Movement in New York where she
     organized the Harlem Committee on Self-
     Defense.

     In 1977 Gaye began studying the guitar. It
     would be her second instrument as she had
     mastered the flute while in the high school
     band.  She  and  her  guitar  teacher,  the  late  Ann  Rabson  (Ann Rabson passed in 2013) would
     go on to form the group Saffire –The Uppity Blues Women, notable for such tunes as ‘They Call
     Me Miss Thang’, and ‘Middle Age Boogie’. Saffire disbanded in 2009  and Gaye continued on as
     a solo performer. We are fortunate to have these works in which she shares the depths and soul
     of her experiences.

     Gaye Adegbalola’s anthology “Satisfied” on the VizzTone label includes selections from nine of
     her solo projects. There are 20 tracks, 15 of which are originals. The work pays homage to the
     classic  blues  women  who  pioneered  the  genre.  In  that “wild women” spirit Gaye channels
     her feminist and her African American experience. On track 15, the second-line, ‘Nothing’s
     Changed’ Gaye sings, “Washed and ironed all the white folks clothes, Nursed their babies, now
     she works in nursing homes, Had to be twice as good to get half a chance, Still fired first and
     hired last, They talk about a glass ceiling, but don't you know, She's  down  on  her  knees  on  a
     concrete  floor”.  This  album  is  a  wonderful  collection  of  the 79-year-old Adegbalola’s body
     of work.

     I asked Gaye Adegbalola about her life and her work. This is what she told me ..…




     LL:  Congratulations are in order on your recent marriage! I’d love to hear all about the

     wedding please.
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