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and could get everybody up dancing while still having that real tough blues sound with great vocals,

    harp, guitar and the drums powering everything along.

    Graham Harrison

                                           Alex Lopez—Rising Up—Maremil

                                           Originally from Cleveland Ohio, Alex moved to Florida (where he
                                           still resides) to attend college. Although he now plays guitar, he
                                           started out playing keyboards until he became aware of artists
                                           such as Eric Clapton, Jimmy Page and Jimi Hendrix, he then
                                           switched his focus upon the guitar. He began his solo career

                                           performing in local clubs while recording and producing his own
                                           music. At some point Alex decided temporarily to put his career
                                           on hold so that he could get married and start a family. He
                                           returned to music as the lead vocalist with the band Reminiscion
                                           (sic). In September 2o13 he released his debut solo album
                                           entitled “Back Bedroom Blues”. Now, he has released this his
    fifth album of 11 original numbers with his band The Xpress, Alex takes lead vocals and guitar with

    Kenny Hoye; keyboards, Steve Roberts; bass and Kana Leimbach on drums.

    The many and varied influences on the numbers here are mostly from Blues Rock of the sixties and
    seventies. The opener ‘Light It Up’ has Alex and the band tearing into a blues riff with screaming
    guitars, pounding percussion and cow bell, Alex’s roaring vocals are urged along by a burning
    keyboard. While ‘Paradise’, contains a very enticing vocal that seems to hark back to The Spencer
    Davis Group of the sixties with its rolling, scorching organ and urging percussion.  ‘Mountain Rain’,
    is an oasis of calm, here Alex utilises the serenity of an acoustic guitar to develop a calming and
    enveloping sound that his heroes Led Zeppelin were masters of on albums such as “Led Zeppelin” 3

    and 4. ‘Even Up The Score’, is a very fine homage to Cream with its very muscular approach. The
    raw guitar and pounding percussion are underpinned with a screaming organ and a so solid bass.
    ‘Rising Up’, possesses a seventies Jazz/funk groove with a rocking fuzz guitar and scorching organ
    competing for your attention while Alex’s rising vocals are complemented with splendid gospel
    backing vocals courtesy of Latonya Oliver from the Soul Sensations, and Dana Merriwether.  ‘I’m
    Always Wrong’, is a relaxing jazz influenced stroller/ballad, featuring a rolling piano and cool, rich
    guitar backed with bubbling organ. A fine varied selection.

    Greatly endorsed!

    Brian Harman.


                                           Clarence Spady—Surrender—Nola Blue Records NB1014

                                           Clarence was born during the early 60’s in Paterson, New Jersey,
                                           later the family moved to Scranton, Pennsylvania, (the town that
                                           Clarence still resides in today). With two guitarists already in his
                                           family that being his father, also named Clarence and his uncle
                                           Fletchey, Clarence was encouraged by them at a very early five
                                           years of age to take up the guitar himself, his first performance

                                           was given at the local Elks Club also at the age of five. During his
                                           teenage years he took every opportunity to play on sessions in
                                           the studio and in the early 80’s he joined the touring band ‘A
                                           Touch Of Class’, their musical director John Pougiese, taught
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