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well, almost to the extent of feeling like kindred spirits. Aynsley Dunbar had also earlier left the
   band, as shortly would his replacement, Mick Fleetwood. Both Green and Dunbar were looking
   to form their own bands, and Vernon was able to be of assistance in getting a record deal.


   Green had got fed up with the endless round of one-nighters with Mayall, and also with the music
   itself.


   His first idea was to go to Chicago, in order to hopefully get to play with, and learn, from some
   of his heroes, but that jaunt was quickly quashed when the problem of getting entry to the USA
   to work as a musician was pointed out to him. He therefore decided to form his own trio, having
   seen Buddy Guy performing in London with just a bass player and drummer - Eric Clapton having
   reached a similar conclusion after witnessing the same concert, which resulted in the formation

   of Cream.

   Mick Fleetwood was happy to join, but John McVie was not so sure, as he preferred the security
   of the weekly wage paid to him by John Mayall. Green therefore advertised for a bassist in the

   Melody Maker (even John Mayall did that when looking for a replacement for Green!). Trainee
   teacher Bob Brunning turned up for an audition at Green’s flat, and after being introduced, made
   himself  look  a  bit  of  a  twit  by  saying  “you’ve  got  the  same  name  as  that  bloke  in  the
   Bluesbreakers”! In spite of that faux pas he got the job, at least until McVie decided to jump ship

   and join them.

   The early line-up did some late night demo recording, which Vernon took to Decca, in his capacity
   as Staff Producer, with the idea of them releasing the material via Blue Horizon, but they declined.

   He therefore approached CBS, who were only too happy to discuss a deal, the upshot of which
   was the termination of Vernon’s employment at Decca, because they did not want one of their
   employees also working for the opposition! Thus he became an Independent Producer, which
   job title he retained for many decades thereafter.


   Although Green initially wanted the band, which he had named Fleetwood Mac, to be a trio, he
   was persuaded by Vernon to take a trip to Birmingham to see a group called The Levi Set, which
   featured a diminutive slide guitar player from Lichfield, called Jeremy Spencer, who simply loved
   the music of Elmore James—and old rock and roll—almost in equal measure. He was suitably

   impressed, and Spencer needed little persuasion to join the fledgling Mac.

   Thus, the scene was set for Blue Horizon to take the next step to becoming a major label over
   the next two years.
                                                                                     Part 2 in next month’s BiTS
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