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Blind Lemon Pledge (James Byfield) gives a wonderful, acoustically compelling performance
     on the classic ‘House of the Rising Sun’. This number is from his forthcoming album, ‘Oh So
     Good’.

     The Reverend Freakchild ends the album with another striking and tautly played acoustic
     piece with the eerie ‘Don’t Miss Nothing ‘til It’s Gone’. Towards the end, The Reverend Shawn
     Amos eloquently chimes in, with harmonica and backing vocals.

     Recommended!

     Brian Harman

                                         Rick Vito—Cadillac Man—Blue Heart Records  BHR-062

                                         Richard Francis Vito was born on October 13th 1949 in Darby,
                                         Pennsylvania;  his  professional  career  began  in  1971,  shortly

                                         after moving to Los Angeles, where he met and  joined Delaney
                                         & Bonnie & Friend. He has also, worked with Todd Rundgren
                                         and Derek & The Dominoes’ Bobby Whitlock.  He became part
                                         of  Fleetwood  Mac  in  1987  and  stayed  with  them  until  1991.
                                         During  this  time  he  replaced  lead  guitarist  Lindsey  Bucking-
                                         ham. He is noted for his blues and slide guitar style, his influenc-
                                         es include Elmore James, Robert Nighthawk, and B.B. King.

                                         He  played  the  slide  guitar  solo  on  the  Bob  Seger  song  (and
     Chevy truck TV commercial), ‘Like a Rock’. He had been a member of Bonnie Raitt's touring
     band in the 1980s and 1990s. In the past, he has also worked with other artists such as; John
     Mayall, Jackson Browne, Little Richard, Roger McGuinn, Roy Orbison, Dobie Gray, John Foger-
     ty, Stevie Nicks, Albert Collins, Dolly Parton, Maria Muldaur and Bob Seger.

     This album of 12 numbers includes only one cover, the others are original compositions from
     Rick and it will also be his 12th solo release. He takes lead vocals and guitar, acoustic guitar
     and electric bass. In the studio with him are Jim Hoke, saxophones, Lynn Williams,  Rick Reed
     and  Charles “Mojo” Johnson, drums,  Kevin McKendree; Hammond B3, Steve Mariner, har-
     monica and Charlie Harrison, bass.

     The opener is ‘Love Crazy Baby’, a lovely, lazy slide driven shuffler, with comforting drum
     work underpinned by an equally lazy and enticing saxophone.


     Next up is ‘It's Two AM’.  This, is an old number of Vito’s from about ten years ago. It was
     recorded by Shemekia Copeland and won the 2001 W.C. Handy Blues Award for song of the
     year. Here, it is a driving rocker—with suitably ringing slide—while the simmering Hammond
     and punching percussion underpin it all. The driving, saxophone swinging, foot tapping ‘Cadil-
     lac Man’ definitely has the enticing, influencing undertones of a certain Mr. C. Berry.

     The gentle shuffle ‘Little Sheba’ is encased in a shimmering and echoing percussion with an
     eastern  flavour,  as  is  the  prowling  harmonica  in  the  background,  while  to  the  fore  is  an
     enticing sitar-influenced slow slide guitar. The jungle-nightlife sounds and a distinct Bo Did-
     dlely beat on ‘Bo In Paradise’ allows Rick to deliver a soothing, almost Hawaiian slide. Splendid!

      ’Gone Like A Cool Breeze’ is in praise of the Cadillac car and it is delivered in a joyful swinging
     Louis Jordan style. A change of mood is set with ‘Crying At Midnight’ a haunting slow burner,
     filled with plenty of dreamy melancholic slide. ‘Barbeque’n Baby’, is a lovely little toe tapper,
     with plenty of creamy slide to entice.
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