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Walter Trout—Broken—Provogue

                                        I am really in two minds about this album. Walter Trout has a back
                                        catalogue and history practically second to no other contemporary
                                        musician. His run-in with imminent  death and the drama of his
                                        liver transplant have elevated him to an almost mythical level. He
                                        is a master of his craft and has the most wonderful touch and tone

                                        in his axework. This album is a searing cry for something which
                                        remains  unidentified: Redemption? Forgiveness? Release? Who
                                        knows?

                                        The production and artistry on show here are exemplary and the
    inclusion of Beth Hart, Will Wilde and Twisted Sister front man Dee Snider is inspired and their
    contributions (particularly Wilde’s ) are superlative too. But, and here it comes—thoughout the
    first and second listenings to the album, I just kept wondering “What does this have to do with
    the blues?”


    Walter knows his blues and would not have spent so many years with Mr Mayall were it not so.
    But with the possible single exception of ‘Bleed’ which is said to be Hooker style boogie and does,
    without a doubt drive along, the rest of the music is blues in only the loosest sense.

    No, the emphasis is on the rock end of the definition.  Now don't get me wrong, there is nothing
    per se wrong with that but, isn't it about time we stopped tying this stuff to the blues?

    Outstanding as the musicianship and vocal deliveries are,  this ain’t the blues. To be sure a song
    like ‘Turn and Walk Away’ has echoes of  the kind of rural music espoused by “Oh, Brother Where
    Art Thou?” T-Bone Burnett would love it.  But that ain’t the blues either!


    Ian K. McKenzie

                                        Canned Heat—Finyl Vinyl—Ruf RF 20951  (LP and  CD)

                                        Close to sixty years after they were founded, Canned Heat, still
                                        with their founder drummer Fito de la Parra went into the studio
                                        to make this album which may (OR MAY NOT) be their swan song.

                                        The band bring their current line-up, i.e. guitarist, keyboard player
                                        and singer Jimmy Vivino, harpman and singer Dale Spalding and
                                        Richard "Rick" Reed on bass and add a few guests to the mix and
                                        bring us (YES) B-L-U-E-S, with a vengeance. Guests include the

                                        ubiquitous  Mr  Bonnamassa  and  the  exemplary  Dave  Alvin  as
                                        guitarist and singer.
    There is much to savour here, including six new songs (three each) from Jimmy Vivino and Dale

    Spalding.

    The opener on the album is Vivino’s ‘One Last Boogie’, but is it?  The Canned Heat boogie beat is
    to the fore and this is the blues!

    Ian K McKenzie
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