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FANTASTIC NEGRITO – HE’S SO UNUSUAL
                                         by Lawrence Lebo



                                         Xavier Dphrepaulezz, aka Fantastic Negrito will blow your blues
                                          mind!


                                            Most recording artists navigate their career road making their
                                             art to fit the current genre molds for marketing and airplay.
                                              Not Fantastic Negrito! A two-time Contemporary Blues

                                              Grammy winner, the San Francisco Bay area-based Negrito’s
                                    music has been notoriously difficult to pin down, let alone categorize.
                        He is not your usual contemporary blues artist by any means.


    The 52-year-old father of three young

    children has survived his share of difficult
    times. He makes no secret about being a
    teen-age runaway, a small-time thug and a
    minor drug dealer. Early in his music career
    he managed to secure a major Pop music
    deal with Interscope Records, only to wind
    up a flop. In 1999 he got into a car crash

    and emerged from a three-week coma to
    find out that his right hand had been
    severely injured. Xavier then stepped away
    from music for 5 years. He ran an
    underground night club, farmed medical

    marijuana, did some street busking, and
    re-emerged as Fantastic Negrito. Then his
    luck changed. He submitted a big budget
    music video to the tiny budget National
    Public Radio “Tiny Desk” contest and won.
    The exposure from NPR catapulted him on

    his way.


    Negrito’s third release, Have You Lost Your
    Mind Yet dropped in August, 2020, spent
    three weeks at #1 on the Billboard Blues
    chart and has been nominated for a

    Grammy for what may be his third in the
    Contemporary Blues category, yet one
    might find it difficult to identify much
    resembling what most think of as “the
    blues” within the album. Yes, there’s identifiable blues guitar sound and riffs sprinkled throughout.
    Sure, there’s Hammond B3 organ on the tracks. But if you’re looking for any kind of 8, or 12, or 16

    bar blues patterns, then you will have lost your mind!!! Instead, the forward-thinking blues man
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